A Quote by Erica Durance
Sometimes you revisit things and relationships, and then you get going on in it, and you realized that there is a reason this ended.
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I always bring it up to my lawyer every now and then. And another reason we have to revisit it is because there is a restoration going on right now for the film through UCLA and Sundance.
That's the day I realized that there was this entire life behind things, and this incredibly benevolent force that wanted me to know there was no reason to be afraid, ever... Sometimes there's so much beauty in the world, I feel like I can't take it, and my heart is going to cave in.
The reason for your poor projections is often right in front of you. Whether you are using statistical analysis or just an average, sometimes the way you are calculating your numbers doesn't make any sense. Sometimes it's best to get up, take a walk, and revisit your calculations later. I have returned to my work many times and said: "Why the hell would I calculate it like that?"
Sometimes things need to get really bad before they can ever get better. Really bad can become untenable if enough people get sick of it. That was a big thing about why I ended up taking part in that rally [against police brutality] and ended up voicing my opinion and declaring what side I was standing on.
One of the things that I somewhat realized, especially right after I was convicted, was that sometimes really, really horrible things happen for no reason.
I realized that the reason why my head was so cluttered and why I was so unstable and not taking care of myself, all of these things, was that I was unhappy. If I wanted to get to a happier place and find some kind of peace, I was going to have to address problems with myself, things from my life up until that point that I hadn't dealt with: insecurities, fears, and those kinds of things.
I'm mostly inspired by relationships and things that are going on in my everyday life. It's hard for me to write songs about things I don't experience firsthand, but most of the time it's about relationships - things that are going on in my head.
I'm pretty self-conscious, so I tend to work in a way where I say what I need to say and get out rather than revisit things. It's kind of a collage style. I realized that it had more emotional weight that way. I'll always be in the developmental stages as far as being a songwriter.
Sometimes there's a lot of tangents because I forget what I'm going to say so much. Sometimes there's very little tangents and stuff for some reason, and then some nights it's all tangents and I can't find my way, and then sometimes I wind up just talking about something completely extemporaneously and then never mention it again ever. It's just completely different.
Usually, I don't revisit a scene once shot. However, in 'Gentleman,' every morning on the sets, I had to revisit the last four scenes and then shoot for the next set of scenes.
Before when I said I'm going to get married, I thought my life is going to be peaceful. But then, I ended up with a politician so it slightly got a little complicated.
Sometimes when we get our ass kicked and we're down, sometimes we stay down, and sometimes we get depressed and sometimes we don't know how to handle it, and sometimes we don't know what's going on, and sometimes we feel like it's not worth going on.
For some reason I did something where I realized I could get a reaction. That was when I broke out of my shell at school, because I really didn't have any friends or anything like that and I just kind of was going along, and then finally I did this zany thing, and all of a sudden I had tons of friends.
I hated the culture, I hated the work. I very quickly realized that this wasn't what I wanted to do. So, after two years, I took some writing courses - I always loved to write - and I figured the only way I was going to get paid to write was in journalism. I really wasn't very involved politically with anything up until that point. Then I started reading about the second Palestinian Intifada, and I spoke to friends in activist and journalism circles. Then, somehow by complete luck, I ended up at Democracy Now.
You get the sense that [John] Hughes is so right about the way groups divide and then divide again and then sometimes align and then sometimes break apart. And this idea that Michael Hall's character says, "On Monday, are we going to be friends?" you know, based on this.
You're born and then you're on your own, you start having relationships, you're developing relationships to the world and your wider community, and then disappointing things happen.
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