A Quote by Erica Jong
A poem (surely someone has said this before) is a one-night stand, a short story a love affair, and a novel a marriage.
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Writing a poem is like having an affair, a one-night stand; a short story is a romance, a relationship; a novel is a marriage-one has to be cunning, devise compromises, and make sacrifices.
A short story is a love affair, a novel is a marriage. A short story is a photograph; a novel is a film.
A short story is a sprint, a novel is a marathon. Sprinters have seconds to get from here to there and then they are finished. Marathoners have to carefully pace themselves so that they don't run out of energy (or in the case of the novelist-- ideas) because they have so far to run. To mix the metaphor, writing a short story is like having a short intense affair, whereas writing a novel is like a long rich marriage.
Writing a short story is like having a short intense affair, whereas writing a novel is like a long rich marriage.
Yes sir. You can be more careless, you can put more trash in [a novel] and be excused for it. In a short story that's next to the poem, almost every word has got to be almost exactly right. In the novel you can be careless but in the short story you can't. I mean by that the good short stories like Chekhov wrote. That's why I rate that second - it's because it demands a nearer absolute exactitude. You have less room to be slovenly and careless. There's less room in it for trash.
Do three things each night before you go to bed: read a poem, read a short story, read an essay.
Raymond Carver had the quote that I loved about how he felt that a short story was the moment right before someone's life was about to fall apart. You can't really do that with a novel, but with a story you're just left hanging.
The short story is an imploding universe. It has all the boil of energy inside it. A novel has shrapnel going all over the place. You can have a mistake in a novel. A short story has to be perfect.
When a couple gets to the last stage, one or both partners may have an affair. But an affair is usually a symptom of a dying marriage, not the cause. The end of that marriage could have been predicted long before either spouse strayed.
For me, the short story is the depth of a novel, the breadth of a poem, and, as you come to the last few paragraphs, the experience of surprise.
'The Story Of A Marriage' was initially a short story I wrote, and before that, it was a family story. It was a story that a relative of mine told me about herself in the '50s, and it was a story that no one else in my family believes, and it might not be true.
In March of 2001, I revisited the short story, and found that thought it did not work well as a short story, it might work much better as a longer one. The novel [The Kite Runner] came about as an expansion of that original, unpublished short story.
I love stories. But I don't distinguish so much between a short story and a novel. Personally, when I sit down to read a novel or a Chekhov story, I'm seeking the same thing: I'm seeking that same rich portrayal of life in words.
I've always loved short stories. Even before I was a writer, I was reading short stories - there were certain writers where I just felt like they could do in a short story what so many writers needed a whole novel to do, and that was really inspiring to me.
What you can do with a short story that you can't do with a novel is punch someone in the gut, in the best of ways.
Marriage is not a love affair. A love affair has to do with immediate personal satisfaction. Marriage is an ordeal; it means yielding, time and again. That's why it's a sacrament; You give up your personal simplicity to participate in a relationship. And when you're giving, you're not giving to the other person; you're giving to the relationship.
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