A Quote by Erica Jong
I went for years not finishing anything. Because, of course, when you finish something you can be judged...I had poems which were re-written so many times I suspect it was just a way of avoiding sending them out.
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There aren't that many people who have written seven-book series, taken them 17 years. Actually finishing was (the) most remarkable feeling I've ever had. (I) couldn't tell you which was uppermost - euphoria or feeling devastated.
I wrote those poems for myself, as a way of being a soldier here in this country. I didn't know the poems would travel. I didn't go to Lebanon until two years ago, but people told me that many Arabs had memorized these poems and translated them into Arabic.
I was unnerved to learn in my twenties that the poems of Emily Dickinson that I had memorized as a girl were not the poems as she had written them.
When I visit schools and talk to students about writing, I give them one word of advice and I give it to them quickly and loudly-FINISH! Starting something is easier than finishing it. You must have discipline to go from a few sentences, to a few paragraphs, to a piece of writing that has a beginning, a middle, and an end. Finishing something bridges the difference between someone who has talent and one who does not. My best advice? Apply the seat of your pants to the seat of your chair-and finish. FINISH!
Because I work at other things, whenever I get a chance to write I feel grateful for it. But I learned that sometimes, I couldn't do anything else and I shouldn't plan to do anything that night or the next day. There were times when I was writing something difficult for days or weeks and when I'd finish, I would get up and go out of my shed into the garden and be sick. I had terrible migraines.
There are many poets that use as my models. In my first book of poems, I had several for the "Sleepwalkers," I had several poems that were apprentice poems like this in which I take a walk with a poet who is no longer alive.
If I do not seem to be mentioning anything I’ve read lately, it is because I am in one of those periods of undifferentiated flux or something in which I am reading about fifty, at a minimum, books at once, so of course I seldom finish one. Eventually this phase will pass, and I’ll discover I have about ten pages to go in all of them, and will sit down and systematically finish them, one after another.
The 4th sort of creatures... which moved through the 3 former sorts, were incredibly small, and so small in my eye that I judged, that if 100 of them lay [stretched out] one by another, they would not equal the length of a grain of course Sand; and according to this estimate, ten hundred thousand of them could not equal the dimensions of a grain of such course Sand. There was discover'd by me a fifth sort, which had near the thickness of the former, but they were almost twice as long.
The first time bacteria were observed.
I've always been intrigued with the male characters in novels like 'Pride and Prejudice' such as Mr. Darcy, and this poem is part of a series of poems that explore desire and obsessions. The poems have been sitting in a drawer for a few years, so I decided to dust them off and work on them again since I have not written a new poem in more than three years. I'm not sure anything will become of the series, but at least it gives me something to work on in a period where I feel very uncreative.
As a kid, I just was a contract player at MGM Studios. They put me into goodness knows how many different roles.Some of them were wonderful and some of them were very just distasteful and awful because I was playing out of my age range and I was thoroughly uncomfortable, let's put it that way. So it took me many years to find my acting feet.
You always have your complaints about your own music. I never finish a track because I decided to finish. It's like, I just finish a track because I'm tired of it, you know? So you could be finishing songs forever, I think, if you are quite a perfectionist.
He [Jesus] speaks in parables, and though we have approached these parables reverentially all these many years and have heard them expounded as grave and reverent vehicles of holy truth, I suspect that many if not all of them were originally not grave at all but were antic, comic, often more than just a little shocking.
When I worked on a magazine, I learned that there are many, many writers writing that can't write at all; and they keep on writing all the cliches and bromides and 1890 plots, and poems about Spring and poems about Love, and poems they think are modern because they are done in slang or staccato style, or written with all the 'i's' small.
I found it to be kind of ironic, because I’m white, therefore I’m appropriating culture, but then Eminem won it - who’s white and won it many times - and they didn’t seem to say anything about that. I suspect it was just because they dislike me.
I loved them all the way one loves at any age -- if it's real at all -- obsessively, painfully, with wild exultation, with guilt, with conflict; I wrote poems to and about them, I put them into novels (disguised of course); I brooded upon why they were as they were, so often maddening don't you know? I wrote them ridiculous letters. I lived with their faces. I knew their every gesture by heart. I stalked them like wild animals. I studied them as if they were maps of the world -- and in a way I suppose they were.
I've always felt that the poems I've written which have historical context are hopefully not just simply plucking something out of history and saying great, let's write about that. In every case what has happened is that I've become fascinated or haunted by something and couldn't shake it.
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