A Quote by Erica Jong
As a seasoned insomniac, I knew sometimes the way to beat sleeplessness was to outwit it: to pretend you didn't care about sleeping. Then sometimes sleep became piqued, like a rejected lover, and crept up to try to seduce you.
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I definitely like not working sometimes. It's so fun. I just love sleeping in. In America, everyone is driven to succeed and wake up and do something. But I don't care. I want to sleep in. I want to relax. I don't want to have to get up every day.
There's no set way to do anything. Sometimes you have to go outside the box; sometimes you can do things the standard way. Like, you don't have to have a beat to write a song: sometimes you can write lyrics without the music.
It is often useful, if an enemy happens to see you, to pretend that you have not seen him. Or it may sometimes be useful to pretend that you have other men with you. I did this once in the Boer War when, having crept up a donga to look at a Boer fort, I was seen by the enemy, and they came out to capture me.
I'll work on patient's thoughts about sleep, "So I must get eight hours of sleep tonight or I won't sleep tomorrow." That sometimes - or "I won't function tomorrow." That sometimes makes it very difficult for you to sleep at night
Sometimes I can't sleep 'cause I can't get a melody or a beat out my head, so I just have to wake up and, like, record it on a voice note.
I can't sleep in my makeup. Sometimes I'll be really lazy and try to not think about it and just fall asleep, but I have to take it off and as soon as possible. Sometimes it'll be quick.
So sometimes things are ahead and sometimes they are behind; Sometimes breathing is hard, sometimes it comes easily; Sometimes there is strength and sometimes weakness; Sometimes one is up and sometimes down. Therefore the sage avoids extremes, excesses, and complacency.
I sleep as much as I want. I'll sleep, like, 11 hours, unless I'm working. Sometimes I do feel like, 'This is weird; I should just get up so I can fit into the world.' Then I'm like, 'Why?' I don't have a nine-to-five job.
I write songs as honestly as I can without worrying about genres or labels. Sometimes I sing, and sometimes I rap, and sometimes I do something in between. I jump around on stage and don't care too much about how I look. I try to be myself even though I'm still figuring myself out.
Small groups have always been the locus of change. What they do, in a sometimes offhand way, is constellate new cultural forms and give birth to the unexpected. Sometimes the talk is the thing, sometimes the feeling. When we risk talking about something we really care about it's infectious. Like any good infection, such talk can produce heat, a fever of intellectual excitement.
When they [people with insomnia] start worrying about not sleeping, I'll say, "Say the mantra to myself; if I don't sleep tonight, I'll likely sleep tomorrow, and if not tomorrow then definitely the third" because our body has a way of naturally catching up.
I became an insomniac, really, hardly slept at all, didn't even try to. And it's carried on. I hate to say I only need as much sleep as Mrs. Thatcher, but I can cope really well on five hours.
Sometimes there's a lot of tangents because I forget what I'm going to say so much. Sometimes there's very little tangents and stuff for some reason, and then some nights it's all tangents and I can't find my way, and then sometimes I wind up just talking about something completely extemporaneously and then never mention it again ever. It's just completely different.
To create anything — whether a short story or a magazine profile or a film or a sitcom — is to believe, if only momentarily, you are capable of magic. These essays are about that magic — which is sometimes perilous, sometimes infectious, sometimes fragile, sometimes failed, sometimes infuriating, sometimes triumphant, and sometimes tragic. I went up there. I wrote. I tried to see.
Sometimes I might be sleepy, and sometimes I've literally been sleeping backstage, woken up, gone straight on stage or gone crazy. It's not like I psyche myself; I don't do any of that.
Sometimes they threaten you with something - something you can't stand up to, can't even think about. And then you say, Don't do it to me, do it to somebody else, do it to So-and-so. And perhaps you might pretend, afterwards, that it was only a trick and that you just said it to make them stop and didn't mean it. But that isn't true. At the time when it happens you do mean it. You think there's no other way of saving yourself, and you're quite ready to save yourself that way. You WANT it to happen to the other person. You don't give a damn what they suffer. All you care is yourself.
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