A Quote by Erica Jong

I started with poetry because it was direct, immediate, and short. It was the ecstasy of striking matches in the dark. — © Erica Jong
I started with poetry because it was direct, immediate, and short. It was the ecstasy of striking matches in the dark.
The most striking quality common to all primitive art is its intense vitality. It is something made by a people with a direct and immediate response to life.
When I was in college, I wrote poetry very seriously, and then once I had started writing short stories, I didn't go back to poetry, partially because I felt like I understood how incredibly difficult it was.
There is such a thing as everyday, ordinary, vulgar ecstasy; the ecstasy of anger, the ecstasy of speed at the wheel, the ecstasy of ear-splitting noise, ecstasy in the soccer stadium.
Poetry is not the proper antithesis to prose, but to science. Poetry is opposed to science, and prose to meter. The proper and immediate object of science is the acquirement, or communication of truth; the proper and immediate object of poetry is the communication of immediate pleasure.
Political leaders, lacking documents that could be kept secret (apart from the occasional exception), lacking media they could control, were of necessity brought into a direct and immediate relationship with their constituents, and therefore under more and direct and immediate control.
It is true that short forms of poetry have been cultivated in the Far East more than in modern Europe; but in all European literature short forms of poetry are to be found - indeed quite as short as anything in Japanese.
"Eight Days of Luke" was refused by another confused publisher on the grounds that children shouldn't strike matches. When my agent pointed out that David in the book was twelve years old, the publisher said that he was striking matches to summon the devil, then, and this couldn't be allowed.
My tryout match for WWE was against Kofi. I was unsigned, and then I got signed by working the dark matches. I wrestled with Kofi in my first TV match at Deep South Wrestling. We've done single matches, tag matches, all the way to producing.
I think what working in a short film online is that the response from the audience is immediate whether your short film or web-series works or not, it is immediate. You can see comments and you can also see how many people have viewed it.
I started writing poetry when I was six. I had this teacher who didn't believe the poems I'd bring in were mine because they were dark and sad. But I wrote about what I experienced in my childhood.
If by happiness you mean ecstasy ... Yes, I've known ecstasy, and it's a blessing to be able to say it because those who can say it are very few. But ecstasy doesn't last long and is seldom if ever repeated.
'Blue Velvet' changed my life forever. It was like I'd always read Chaucer and suddenly discovered Charles Bukowski. It made me understand that there is poetry of sublime ecstasy and dark terror, and it spoke to a side of me that hadn't been reached before.
We spent a lot of time making 'Transangelic Exodus' and toward the end of it, my ability and my love for music - that is, just garage music, direct and immediate - started to feel neglected.
To have an effective striking match, you need gloves on. Junior dos Santos would have a very short career if he was in a bare knuckle fight. The early UFCs, before gloves, were grappling with some striking.
You can't make poetry out of thought; poetry is passion. Linear thought must be seduced by wild mind, by the fires of ecstasy.
Excitement was there because I had the realisation of having matches that weren't always TV matches, that weren't always strict on timelines or storylines and more so focused on the wrestling, different opponents I hadn't worked before and a lot of one-on-one matches.
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