A Quote by Erica Jong

If you've been a pretty woman and always pursued by lovers, losing that and not having that - it feels like a great loss. — © Erica Jong
If you've been a pretty woman and always pursued by lovers, losing that and not having that - it feels like a great loss.
When seasons change in our life, it's difficult. Because it feels like loss and no one likes loss. And I go through, how do you do that? How do you take that transition without losing it in the curve?
I was not that pretty a girl and I was never pursued as a teenager or young woman, so I was used to having no shame and trying to get people to love me.
There is a big difference to someone being born with vision loss, to a kid having vision loss, to a senior having macular degeneration and losing their sight.
I talk about things like how to lose without losing identity. All loss and grief feels like when you transition.
Loss is essential, loss is part and parcel of that necessary calamity called life. Mind you, I'm not complaining. Thanks to some inexplicable universal guiding force, it is always the worthless things we lose - slough off, like a moulting snake. Losing and losing again, is the very basis of the process, til all we are left with is the bare essence of human existence.
I find, in film, we're always making things and having these intense friendships and then losing track of people. When I first start a job, I'm quite nervous, and it takes me a while to find my place, and then it feels like I'm just really loving it and feeling great, and it's all over.
I can't deny that there's a great privilege in having parents who are established in the field that I'm pursuing. I try to appreciate the fact that they're so great at it. They've been such great role models, not only talent-wise but also in how they lead their lives and the reasons why they've pursued this.
Sometimes, love feels like a life or death situation. Losing true love is pretty much as bad as it gets, other than actually dying or losing good health. Most people know that. Most people can relate. It's like the end of the world.
Well, you're either lovers or you're wanting to be lovers or you're trying not to be lovers so you can be friends, but any way you look at it, sex is always looming in the picture like a shadow, like an undertow.
If a woman is surrounded by lovers or if a woman has a lot of guys asking her out, that's considered wonderful. As a woman who's slept with a lot of men, I've always been complimented on my ability to attract men.
I'm done losing weight, I feel great, and I love looking like a woman. I love being curvy and having boobs and hips. It's hot. I don't ever want to be size zero.
They'd never been lovers, of course, not in the physical sense. But they'd been lovers as most of us manage, loving through expressions and gestures and the palm set softly upon the bruise at the necessary moment. Lovers by inclination rather than by lust. Lovers, that is, by love.
Geoffrey Tozer's death is a national tragedy. For the Australian arts and Australian music, losing Tozer is like Canada having lost Glenn Gould, or France, Ginette Neveu. It is a massive cultural loss. The kind of loss people felt when Germany lost Dresden.
There are many kinds of loss embedded in a loss - the loss of the person, and the loss of the self you got to be with that person. And the seeming loss of the past, which now feels forever out of reach.
I've always felt that my life's been at the right place at the right time; I feel like there's been some really dull moments, really high moments, really low moments, but it's always felt like everything's moved in the right direction; it always feels great, and everything feels right.
That's what noir feels like to me. It feels like some kind of recurring dream, with very strong archetypes operating. You know, the guilty girl being pursued, falling, all kinds of stuff that we see in our dreams all the time.
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