A Quote by Erica Jong
You must find the right voice (or voices) for the timbre that can convince a reader to give himself up to you.
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Voice is the je ne sais quoi of spirited writing. It separates brochures and brilliance, memo and memoir, a ship's log and The Old Man and the Sea. The best writers stamp prose with their own distinctive personality; their timbre and tone are as recognizable as their voices on the phone. To cultivate voice, you must listen for the music of language-the vernacular, the syntactic tics, the cadences.
I listen to the timbre of the music, and I fit my voice to blend with that timbre.
I feel like the timbre of your voice as a woman doesn't cut through as well as a loud bassy voice, so you need to noticeably speak up.
I must follow my Lord. No matter what. I must renew my allegiance every morning. It is His voice I must listen to, not the voices of those around me, however strident, however persuasive. It is His Word that must govern my life, not the words of others. God Himself has written a Book (think of it!) that must be the authority in my life.
Every reader, as he reads, is actually the reader of himself. The writer's work is only a kind of optical instrument he provides the reader so he can discern what he might never have seen in himself without this book. The reader's recognition in himself of what the book says is the proof of the book's truth.
I research every possible bit of information I can find. Then I use about a tenth of it. But I have to know all the information first; otherwise, I'm not going to convince myself, and if I can't convince myself, then I'm not going to convince the reader.
In his voice resonated the timbre of a man who thinks he has convinced himself of an idea, but masks his own doubt by laboring to persuade others.
You can't convince anyone of anything. You can only give them the right information, so that they convince themselves.
There are times when the voice of repining is completely drowned out by various louder voices: the voice of government, the voice of taste, the voice of celebrity, the voice of the real world, the voice of fear and force, the voice of gossip.
Long books, when read, are usually overpraised, because the reader wishes to convince others and himself that he has not wasted his time.
If you give up on the idea that your voice can make a difference, then other voices will fill the void
The artist, and particularly the poet, is always an anarchist in the best sense of the word. He must heed only the call that arises within him from three strong voices: the voice of death, with all its foreboding, the voice of love and the voice of art.
You must remember always to give, of everything you have. You must give foolishly even. You must be extravagant. You must give to all who come into your life. Then nothing and no one shall have power to cheat you of anything, for if you give to a thief, he cannot steal from you, and he himself is then no longer a thief. And the more you give, the more you will have to give.
How does one chip off the marble that doesn't belong? ... That comes about through five things: humility, reverence, inspiration, deep purpose, and joy. No great man has ever wise-cracked his way to greatness. Until one learns to lose one's self he cannot find himself. No one can multiply himself by himself. He must first divide himself and give himself to the service of all, thus placing himself within all others through acts of thoughtfulness and service.
Nonetheless, I'm not sure this entirely accounts for my Buddhist voice, which tells me forever to give up writing, to give up on relationships, simply to give up. Whatever it is, it doesn't seem to me to be the voice of innocence.
I think everything you do, characters I always find, have their own voices and once you establish who that character is you find a different voice. I think it's just a question of establishing that character and the voice speaks through that character.
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