A Quote by Erica Jong

I have forgotten my rave reviews and memorized my vicious ones - like most writers. — © Erica Jong
I have forgotten my rave reviews and memorized my vicious ones - like most writers.
It feels so good to be able to be part of an action flick like 'The Raid' and to read the rave reviews in a number of film festivals.
Writers are funny about reviews: when they get a good one they ignore it-- but when they get a bad review they never forget it. Every writer I know is the same way: you get a hundred good reviews, and one bad, andyou remember only the bad. For years, you go on and fantasize about the reviewer who didn't like your book; you imagine him as a jerk, a wife-beater, a real ogre. And, in the meantime, the reviewer has forgotten all about the whole thing. But, twenty years later, the writer still remembers that one bad review.
Most writers of entertainment fiction tend to receive controversial reviews.
A vicious teacher is just a vicious teacher, as a vicious neighbor may happen to be. But a vicious mother - means that the whole world is vicious.
After 'Honey' I read the rave reviews and thought I had it made. But it was two-and-a-half years before I was on the screen again.
When I finally turned 18, I started to wonder if rave was now different to what it was and whether I'd missed out on the golden days of rave. So, I thought I'd talk to some of the legends in the game and get an education on how music was made, listened to and the rave scene from before I was even born.
I'm a very proud mother as Sanah has been getting lots of rave reviews. She has done good work and shown herself as a promising actress.
It's always good to get good reviews. I read my reviews. There are a lot of writers who don't read their reviews at all. I read them; then I put them away because it's not good to engage with them too much.
Some people rehearse to a point where they're robotic, and they sound like they have memorized their presentation and didn't take it to the next level. Going from sounding memorized and canned to sounding natural is a lot of work.
In 2015, I was at a high point in my career: Superstore,' the sitcom I star in as Dina, premiered on NBC and was getting rave reviews. But at the same time, my health hit rock bottom.
I remember our first interviews at the Capitol tower. These magazine people were asking us things like 'What's your favorite color?' and 'What do you like to do on a date?' I'd ask, 'Where are you from?' and they'd say, 'Fave' or 'Rave' or whatever. We wondered, 'When do the real writers get here?'
Writers, like elephants, have long, vicious memories. There are things I wish I could forget.
I have another aspect of my career where I'm a scholar of Yiddish and Hebrew literature, and I'll say that when you study Yiddish literature, you know a whole lot about forgotten writers. Most of the books on my shelves were literally saved from the garbage. I am sort of very aware of what it means to be a forgotten artist in that sense.
I threw my son, Brandon, a rave for his birthday and I fully set it up like a crazy rave with lights and sound, me and my partner DJ'd - I got Mix Master Mike from the Beastie Boys to come DJ for a bit.
You know, it's a funny thing about writers. Most people don't stop to think of books being written by people much like themselves. They think that writers are all dead long ago--they don't expect to meet them in the street or out shopping. They know their stories but not their names, and certainly not their faces. And most writers like it that way.
We don't feel like we changed from rave, because we were never rave, to punk, because we're not punk.
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