A Quote by Erica Jong
I guess the thing that I'm most proud of is that I kept on writing poetry. I understand that poetry is sort of the source of everything I do. It's the source of my creativity.
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Poetry is the most informative of all of the arts because everything comes down to poetry. No matter what it is we are describing, ultimately we use either a metaphor; or we say "that's poetry in motion." You drink a glass of wine and say, "that's poetry in a bottle." Everything is poetry, so I think we come down to emotional information. And that's what poetry conveys.
If you could have magical binoculars that you could focus and look at the field of intention, you would see what the source of all things looks like. It's a source of love and kindness and beauty and creativity, and it's a source that excludes nothing and it's a source of unlimited abundance.
I'm saying that the domain of poetry includes both oral & written forms, that poetry goes back to a pre-literate situation & would survive a post-literate situation, that human speech is a near-endless source of poetic forms, that there has always been more oral than written poetry, & that we can no longer pretend to a knowledge of poetry if we deny its oral dimension.
Well I guess the plan was to write poetry and publish books and make a living from writing poetry. That was a pretty ambitious plan I guess.
Poetry was syllable and rhythm. Poetry was the measurement of breath. Poetry was time make audible. Poetry evoked the present moment; poetry was the antidote to history. Poetry was language free from habit.
A couple of pieces of advice for the kids who are serious about writing are: first of all, to read everything you can get your hands on so you can become familiar with different forms of writing: fiction, non-fiction, poetry, journalism. That's very important. And also keep a journal. Not so much, because it's good writing practice. Although it is, but more because it's a wonderful source of story starters.
I know who I am, and the thing about power for me is that it's connected to a source that's obviously greater than myself. Any time you can connect to the source and understand that that's where all of your energy, your creativity, your joy and your triumph come from, I consider that to be authentic power.
Workers need poetry more than bread. They need that their life should be a poem. They need some light from eternity. Religion alone can be the source of such poetry.
That which moveth the heart most is the best poetry; it comes nearest unto God, the source of all power.
Often poetry, especially the sort of poetry I write, is concerned with looking at the borders between the sensual and the spiritual and seeing them as divided, equivocal, that mystery somehow can break in to the ordinary. And we read poetry I think in part, to gain a sense of that intimacy with things that we can't understand that are unable to be understood but that buoy up our lives.
We cannot overlook the importance of wild country as source of inspiration, to which we give expression in writing, in poetry, drawing and painting, in mountaineering, or in just being there.
I don't know that I had a sense that there was such a thing as "the poetry world" in the 1960s and early 70s. Maybe poets did, but for me as an onlooker and reader of poetry, poetry felt like it was part of a larger literary world. I mean, even the phrase "the poetry world" reflects a sort of balkanization of American literary and artistic life that has to some extent happened since then.
If diversity is a source of wonder, its opposite - the ubiquitous condensation to some blandly amorphous and singularly generic modern culture that takes for granted an impoverished environment - is a source of dismay. There is, indeed, a fire burning over the earth, taking with it plants and animals, cultures, languages, ancient skills and visionary wisdom. Quelling this flame, and re-inventing the poetry of diversity is perhaps the most important challenge of our times.
Pound described poetry as original research in language, and just as formal experiment in poetry has to try things and has to go too far, so does experiment with writing about politics in poetry and what the politics of poetry is.
It helped my lyric writing so much studying poetry. I thought I knew what poetry was before I immersed myself in it. Poetry is meditative. It's reflective.
A definition of poetry can only determine what poetry should be and not what poetry actually was and is; otherwise the most concise formula would be: Poetry is that which at some time and some place was thus named.
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