A Quote by Erica Schroeder

I love performing in a good straight play as well and I'm a crossover actor, I crossover from plays to musicals, musicals to plays. This is very difficult for performers.
I love plays that have musical moments. I'm not a big fan of musicals per se, but I love straight plays that have musical edges to them. I don't know if I will ever be able to structure a musical, but 'Finer Noble Gases' is as close as I've gotten.
I love film scores and opera, and I wanted to work in those forms. But theater was more accessible. And no one was doing this in the late 1970s, when I began working in the theater. So, I have written scores for thirteen plays, which are not musicals, but straight plays.
As a kid, I was really into performing. I would do choruses, I would do musicals, whatever it was. And then, as a teenager, I got into an acting class at SUNY Purchase for gifted kids, and that really turned me on to material beyond musicals, Sam Shepard, and Christopher Durang plays.
Musicals are — particularly musicals — plays also, but musicals particularly are… the last collaborator is your audience, and so you’ve got to wait ’til the last collaborator comes in before you can complete the collaboration.
I write plays, and I have a musical that's starting to get produced now. That's what I would love to do, but it's so hard. The only reason people are reading my plays and musicals is because I'm in movies.
Well, men go to musicals. Women are the ones that buy the tickets for plays.
I started performing at home as a kid putting on shows and lip-syncing Michael Jackson for the grown-ups. Then, in musicals and plays in school. At 17, I was performing in coffee shops and in parking lots at Phish shows. At 18, I had a band that played local shows in the Northwest.
I'd always done musicals, and so living in the world of straight plays and working with off-Broadway actors and living in that community was a completely life-changing experience.
I started performing in high school. There was a pretty great drama department at my school, and that's when I started doing plays and musicals.
For a production that suggests a mysterious dreamscape, I have a particular affection for the Vivian Beaumont Theater. It is the largest dramatic space available in New York City in terms of plays, although musicals have been done there very successfully as well.
There are no large-scale original musicals being made right now. They're all Broadway adaptations and jukebox musicals or catalog musicals, and they just don't interest me as much.
I began my career performing in plays and musicals in New York, but by the mid-'80s, opportunities in Hollywood beckoned and I made the move to Los Angeles. It was a good decision. Work took off, but most important, I met my family out there - my husband, Bill, and the children we would adopt: Elijah, Mae-Mae, and Aron.
I did start out as an actor. I went to Northwestern; I did musicals. I did plays.
When I was in college, I started an improv group, and I did a bunch of plays and some musicals. I have a theater degree. I'm a school person: I like getting homework and having deadlines. When I graduated, I worked right away as an actor.
What I write, if you have to label it, is crossover, and I think that much of the stuff that is called children's or YA is in fact crossover and is equally valid for anyone who likes to read fantasy.
I don't see that many plays, and for me, musicals are rarely pleasing.
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