A Quote by Erich Maria Remarque

Strange how complicated we can make things just to avoid showing what we feel! — © Erich Maria Remarque
Strange how complicated we can make things just to avoid showing what we feel!
Oh, my dear, if you only knew how strange is the matter regarding which I am here, it is you who would laugh. I have learned not to think little of any one's belief, no matter how strange it may be. I have tried to keep an open mind, and it is not the ordinary things of life that could close it, but the strange things, the extraordinary things, the things that make one doubt if they be mad or sane.
I don't have this crazy dream about going to Hollywood, because I really love to watch movies and do movies that are complicated, and I want more strange things and complicated things.
This film [Teknolust] in particular, showing the way in which having a sexual dialogue with someone can be something developing and changeable and maybe uncomfortable and complicated. Just complicated and human, no more and no less.
To see two couples that are battling to make it work just shows that love is in a marriage, but there are also trials and things that you have to make it through and showing women and men how to keep it spicy.
In 'Imitation of Life', I was showing how a girl might feel under the circumstances, but I am not showing how I felt.
So much of my writing process is trying to eliminate any kind of shame or fear of the thoughts that I'm having. Where I would usually backspace, I stop and say, "You know what? This is important, that I say how I feel and don't sugarcoat it, and don't avoid it." In my experience when I do try to avoid something, it makes its way into the work anyway. To be in front of it and just make friends with it is easier for me.
A Complicated Kindness is just that: funny and strange, spellbinding and heartbreaking, this novel is a complicated kindness from a terrifically talented writer.
In good novelistic fashion, the discovery I’ve made is that it’s complicated. I think that’s one of good things about exploring these questions in a non-polemic, fictional way: you get to feel out territory rather than take positions. Through writing this, I can understand the impulse to faith, how people make meaning, how people make community, without having to say, do this, don’t do that, or I believe, I don’t believe.
I make things complicated for myself and chaotic, so I feel unsettled, and then the challenge is to make something structured and complete emerge from that.
I admire writers who can make complicated things simple, but my own talent has been to make simple things complicated.
Sometimes there's a day where I don't feel good being out in the world, and I feel unsafe in the world in general. And an anxiety about just showing up in the world. It's kind of irrational, but people do say things to me out in the street about how I'm dressed.
You've got to avoid overcoaching. You've got to avoid talking too much. You've got to avoid showing players that you're the boss every time. You don't have to do that. They know you're in charge.
Sometimes I'll read things in the script and think, "That's not how humans behave," or "I don't understand how to do that role and make it seem like I'm not some kind of strange alien or on a sitcom." I don't get it, and when I feel that way, I have to listen to my instinct. My initial instinct does lead me in a direction that I can trust.
I think there can be no replacement for teaching people how to make things by showing them how to stick two pieces of wood together.
I don't know how in the twenty-first century we can possibly justify not showing girls things that they can aspire to, and at the same time, how can we possibly be showing boys this narrow vision of what women are and what they can be.
I'm going to rub your faces in things you try to avoid. I don't find it strange that all you want to believe is only that which comforts you. How else do humans invent the traps which betray us into mediocrity? How else do we define cowardice?
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