A Quote by Erich Segal
What can you say about a twenty-five year old girl who died? That she was beautiful and brilliant. That she loved Mozart and Bach. The Beatles. And me.
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What can you say about a twenty-five-year-old girl who died?
She was beautiful, but not like those girls in the magazines. She was beautiful, for the way she thought. She was beautiful, for the sparkle in her eyes when she talked about something she loved. She was beautiful, for her ability to make other people smile, even if she was sad. No, she wasn't beautiful for something as temporary as her looks. She was beautiful, deep down to her soul. She is beautiful.
Wanderer: You don't really feel that way about me you know. It's this body... she's pretty isn't she? Ian: She is. Melanie is a very pretty girl. Even beautiful. But pretty as she is, she is a stranger to me. She's not the one I... care about. Wanderer: It's this body. Ian: That's not true at all. It's not the face, but the expressions on it. It's not the voice, but what they say. It's not how you look like in that body, it's what you do with it. You are beautiful.
Bach is a colossus of Rhodes, beneath whom all musicians pass and will continue to pass. Mozart is the most beautiful, Rossini the most brilliant, but Bach is the most comprehensive: he has said all there is to say.
An old woman I loved very much when I was young - the wife of Jean Villard - she's just reciting poetry all the time, which is beautiful because it means she went back to the world of poetry that she loved when she was young. That's all she does - she almost doesn't recognize her children, but she recites Valéry and Baudelaire. So what? We're the ones who are suffering. She's not.
If you ask a ten-year-old girl what she wants to do when she grows up and a fourteen-year-old girl what she wants to be when she grows up, in many cases, the older child will have a much less free sense of what's possible.
I met this girl when I was ten years old,
And what I loved most she had so much soul.
She was old school, when I was just a shorty
Never knew throughout my life she would be there for me.
In 2012, a five-year-old girl in Shandong province described to me how ten officials had chased her six-months-pregnant mother through the fields to prevent the birth of the family's second child, a boy. She died during the procedure.
My daughter [Ariana], she's a sweet, lovely girl, but she doesn't have the drive or the belief in herself. As it says in the film, I get touched up thinking about it, no one can give you a career. You have to have that inner drive. She wants it, but she doesn't know how to go for it, she's too shy. To see her perform and come on stage and feel comfortable, you know, she has talent - that was very touching, very moving, for me. She has a really beautiful sound and voice. She's a young girl still, 26, and innocent. She was kind of sheltered.
She would always feel this wild girl was the truest of any of the people she had already been: adored daughter, bourgeois priss, rebel, runaway, dope-fiend San Francisco hippie; or all the people she would later be: mother, nurse, religious fanatic, prematurely old woman. Vivienne was a human onion, and when I came home at twenty eight years old on the day the monster died, I was afraid that the Baptist freak she had peeled down to was her true, acrid, tear-inducing core.
I say, 'Yeah, Taylor Swift.' I think she is a smart, beautiful girl. I think she's making all the right moves. She's got a good head on her shoulders. She's surrounded with wonderful people. Her songs are great. She keeps herself anchored. She knows who she is, and she's living and standing by that.
You'd think that it was really hard for me to turn into North Carolina prostitute, but I didn't think of her like that. I just thought there were a lot of similarities. She loves art and she loves beautiful things, and in that regard, she's a girl, I'm a girl. We love beautiful things, we want adventure, we just want to be loved. She just really wants a family and to be safe. I think everyone wants that. I just came from it from that point of view rather than, "Oh, this girl is so different from me. How on Earth am I going to play her?"
One day in 1965 Rajiv wrote me from London, where he was studying, and informed me, 'You're always asking me about girls, whether I have a special girl, and so forth. Well, I've met a special girl.' And when Rajiv returned to India, I asked him, 'Do you still think about her in the same way?' And he said yes. But she couldn't get married until she was twenty-one, and until she was sure she'd like to live in India. Sonia is almost completely an Indian by now, even though she doesn't always wear saris.
My 9-year-old daughter can recite every line from 'Easy Rider,' and that is not an easy song to do. She raps all of Nicki Minaj and everything; she's dope. She has my musical ear for sure. She sings, and she's beautiful. It's very powerful.
I loved Julia Louis-Dreyfus's show 'The New Adventures of Old Christine.' That made me laugh out loud. She's like Lucille Ball. She's brilliant.
You don’t seduce in the same way at my age. You seduce with brains, with talent. Yesterday for lunch I met the most incredible 90-year-old woman. She survived Auschwitz, she was beautiful, she didn’t have white hair, she didn’t wear glasses. She was totally seductive. I just thought, Oh, my God, I still have time ahead of me.
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