A Quote by Erich von Stroheim

If I speak of Vienna it must be in the past tense, as a man speaks of a woman he has loved and who is dead. — © Erich von Stroheim
If I speak of Vienna it must be in the past tense, as a man speaks of a woman he has loved and who is dead.
There are topics which are common to men and women. I think that if a woman speaks of oppression, of misery, she will speak of it in exactly the same way as a man. But if she speaks of her own personal problems as a woman, she will obviously speak in another way.
Try to find the real tense of the report you are reading: Was it done, is it being done, or is something to be done? Reports are now written in four tenses: past tense, present tense, future tense, and pretense. Watch for novel uses of CONGRAM (CONtractor GRAMmer), defined by the past imperfect, the present insufficient, and the future absolutely perfect.
My parents genuinely loved Vienna, and in later years I learned from them why the city exerted a powerful hold on them and other Jews. My parents loved the dialect of Vienna, its cultural sophistication, and artistic values.
I actually speak fluent German. And I live in Vienna, and I'm married to a Viennese woman.
But why would it matter? We aren't ... or...uh...weren't ..." Which is it, Jess? "Aren't" or "weren't"? Present or past tense? Now or then? "We haven't been talking to each other." Past imperfect tense. How appropriate.
Witness also that when we talk about literature, we do so in the present tense. When we speak of the dead, we are not so kind.
Having sex with a dead grammar teacher is a violation of past tense usage.
As soon as you have a language that has a past tense and a future tense you're going to say, 'Where did we come from, what happens next?' The ability to remember the past helps us plan the future.
In the past, people have looked at photos as a record of memory. The focus has been on the past tense. With Instagram, the focus is on the present tense.
Loved. You can't use it in the past tense. Death does not stop that love at all.
It is fatal to be a man or woman pure and simple; one must be woman-manly or man-womanly. It is fatal for a woman to lay the least stress on any grievance; to plead even with justice any cause; in any way to speak consciously as a woman. And fatal is no figure of speech; for anything written with that conscious bias is doomed to death. It ceases to be fertilized.
I begin with songs. They provide a sort of skeleton grammar for me to flesh out. Songs of longing for future tense, songs of regret for past tense, and songs of love for present tense.
Women speak because they wish to speak, whereas a man speaks only when driven to speak by something outside himself like, for instance, he can't find any clean socks.
For my Vienna is as different from what they call Vienna now as the quick is different from the dead.
In each of us two powers preside, one male, one female: and in the man's brain, the man predominates over the woman, and in the woman's brain, the woman predominates over the man...If one is a man, still the woman part of the brain must have effect; and a woman also must have intercourse with the man in her. Coleridge perhaps meant this when he said that a great mind is androgynous. It is when this fusion takes place that the mind is fully fertilized and uses all its faculties.
Art is a means of memorialization of the past, a record of a rapidly vanishing world; a means of exorcising, at least temporarily, the ravages of homesickness. To speak of 'what is past, or passing or to come'-in the most meticulous language thereby to assure its permanence; to honor those we've loved and learned from and must outlive.
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