A Quote by Erick Morillo

The DJs with a lot of hype are not necessarily the best DJs at creating a vibe. — © Erick Morillo
The DJs with a lot of hype are not necessarily the best DJs at creating a vibe.
A lot of DJs who started the same time as me, they are not to be seen anymore. And I get so much love and respect from the young DJs, and some of them look up to me or ask me for advice. I am almost like the mentor.
There's a lot of creativity in the industry, but I don't necessarily think that the most creative DJs or producers are always the biggest ones.
I don't see anyone avoiding the Stones because DJs make jokes about them being a part of the Geritol set. All it does is make the DJs look stupid.
I recommend everyone who DJs to do it as a hobby and make sure you have a day job or are going to school. Only 100 DJs in the world make a living doing this, by that I mean making a good, comfortable living.
I had a few DJs in my neighbourhood that would play music in the streets. There was no hip-hop yet; there were just DJs that were playing disco, funk, and pop music, and we would gather round, go to the parks, and dance and enjoy ourselves.
There are not necessarily a lot of DJs are coming to Israel, so the moment an EDM DJ is coming to Israel, you can tell that people are way more excited and are looking forward... to the show.
There's a lot of creativity in the industry, but I don't necessarily think that the most creative DJs or producers are always the biggest ones. I think it would be nice to see more of an open culture to different music. I think that's happening. With Spotify, I think people are discovering a lot of artists they might not discover otherwise.
I'm one of these DJs who likes to play true to myself, so I'm not gonna be throwing in some rock bootleg mashup mix of some record to get a reaction. Sometimes it does amaze me, you go to festivals and DJs think, "Oh, I need to play big crowd-pleasing records." You don't need to spoon-feed the crowd.
DJs play a big responsibility of what hip-hop is doing... At the end of the day, it's up to us to control and to own hip-hop. DJs need to challenge us rappers. They got so much power, they need to challenge us.
Up until the rise of electronic music, if you were a musician in Portugal or Germany or Italy or Japan, and you didn't sing in English, you really were limited: You could be successful in the country where people understood your language. The world of electronic music is completely international. You have DJs from Finland making huge records for people in New Zealand, DJs in South Korea making huge records for people in France. By the fact that it doesn't cost anything to make, and that it transcends language, nation it accidentally accomplishes a lot of really remarkable things.
The modern stuff, I can take it or leave it. I like its danceability, but the DJs talk a lot of nonsense.
Dance music is so interchangeable. There's not a lot of face to it. It's a bunch of Dutch DJs with the same haircut.
Oddly, I think that a lot of the haters of EDM and DJs are actually within the world of electronic music.
The best DJs in the world know how to pull in music from all over the place and make it work as a cohesive whole.
New Banger' is a statement, but it is more about giving the DJs something for the clubs. I think it should have a lot of club longevity as a tune.
A lot of DJs don't realize they're here today and gone tomorrow. They're literally taking jets to every show. It's crazy how much money they're spending.
This site uses cookies to ensure you get the best experience. More info...
Got it!