A Quote by Erik Bruhn
Dance every performance as if it were your last.
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This is something you learn as soon as you walk through the doors at Old Trafford: that you're never better than your last performance. You always have to improve on your last performance.
In that last dance of chances I shall partner you no more. I shall watch another turn you As you move across the floor. In that last dance of chances When I bid your life goodbye I will hope she treats you kindly. I will hope you learn to fly. In that last dance of chances When I know you'll not be mine I will let you go with longing And the hope that you'll be fine. In that last dance of chances We shall know each other's minds. We shall part with our regrets When the tie no longer binds.
Never let failure discourage you. Every time you get to the base of a mountain (literal or metaphorical), you're presented with a new opportunity to challenge yourself, to push your limits beyond what you thought possible, to learn from climbers on the trail ahead of you, and to take in some amazing views. Your performance on the mountain you climbed last week or last month or last year doesn't matter - because it's all about what you are doing right now.
Every time you compete, try harder to improve on your last performance. Give nothing short of your very best effort.
Dance as if this is the last dance. Dance with abandon, holding nothing back. That will bring transformation to your being, and a possibility of transformation for other people too.
Dance is like wine; it matures with every performance.
You never knew the last time you were seeing someone. You didn't know when the last argument happened, or the last time you had sex, or the last time you looked into their eyes and thanked God they were in your life.
After they were gone?
That was all you thought about.
Day and night.
I have ballet class every other day for two hours. And for 'Six Feet Under', last week there was a sequence where I had to do a whole choreographed dance number, so I had four hours of dance practice every day.
I have ballet class every other day for two hours. And for "Six Feet Under", last week there was a sequence where I had to do a whole choreographed dance number, so I had four hours of dance practice every day.
Dance, when you're broken open. Dance, if you've torn the bandage off. Dance in the middle of the fighting. Dance in your blood. Dance when you're perfectly free.
Every lord's mansion stands on the foundation of your bones, soldier, every field has been saturated with your sweat, and you, peasant, even if you worked your arms down to the stub, if you won a hundred battles, and faithfully gave the last drop of your blood for your country, you would always be a slave. There is no land for you, no heaven, no shelter, not even a doghouse where you could rest your poor head. You are the last before God and before people, the last one.
If there were a ritual dance of the androgyne, Tai chi as performed by this master could be that dance. It is neither a masculine dance nor a feminine dance. It has the strength and grace of both.
I am realizing and accepting my role as a tap dancer in this world is not only to tap dance for the sake of performance, but through tap dance be able to share and spread a message and congregate with people I would not necessarily be with had it not been for dance.
But it's hard to be hip over thirty when everyone else is nineteen, when the last dance we learned was the Lindy, and the last we heard, girls who looked like Barbara Streisand were trying to do something about it.
It's beautiful to dance alone, beautiful to dance with your children, beautiful to dance with your friends, beautiful to dance with your lover, or even collectively. But the ultimate dance is the one we do by ourselves, when we make ourselves known to God.
Do every act of your life as if it were your last.
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