A Quote by Erik Brynjolfsson
When I first started doing work on how the Internet is affecting commerce, like a lot of people, I was really excited by this nearly perfect market.
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I consider us to be one of the first Internet-based bands, especially because we basically started our entire band via the Internet. Before MySpace Music even existed, we had a band MySpace page. We were one of the first fifty bands on PureVolume(.com), and we really built everything from the Internet. That's how we started talking to record labels, that's how we booked our first tours. Without the Internet social networking, like Twitter, we definitely wouldn't be where we are today. It is a huge part of the band.
I love to learn, and I started doing a lot of studying of Spanish-style music and really started getting into it and how it is just a completely different form of guitar playing. It is just like if you started speaking in a different language like Japanese or something. It is something that you have to study and work at a lot.
When I first started campaigning, I was really excited. Two-thirds of the way through, I thought, 'Why am I doing this?' Then I got really excited when I realized I was going to win.
'Game of Thrones' was the first fantasy thing I've done, and like a lot of people who enjoy the show watching it, I didn't expect to respond to that world, but when I started doing it, I really started to love it, started to realize that some of the things I'm naturally drawn to.
The commerce of minds was necessarily the first commerce in the world, ... since before bartering things one must barter signs, and it is necessary therefore that signs be instituted.There is no market or exchange without language. The first instrument of all commerce is language.
I started doing 'figures', then, one day, all of a sudden, I started doing abstraction. And then I started doing both. But it was never really a conscious decision. It was simply a question of desire. In fact, I really prefer making figurative work, but the figure is difficult. So to work around the difficulty I take a break and paint abstractly. Which I really like, by the way, because it allows me to make beautiful paintings.
Suddenly, I realized how tough trying to structure a story like this is. It was a lot of work. The one big advantage that we had was that we had eight scripts written before we started shooting, or even started casting. We had a really good opportunity to look at it and figure out where we were going to go and how to do it. Once we got a cast, which I love, then we started doing some revisions to make sure that they fit into it.
I've just recently started doing the promo bits for the new album, and the funny thing is that the people who come to talk to me about these things seem to be getting younger. It's like the people who like the music are all young kids and they're on top of you - they know all about what you're doing, and they're excited and animated about it. So it's a lot of fun.
What interested me the most was that when I [traveled to Europe] I knew what Joseph Beuys was doing, he knew what I was doing, and we both, we just started to talk. How did I know what Daniel Buren was doing, and to an extent, he knew exactly what I was doing? How did everybody know? It's an interesting thing. I'm still fascinated by it because, why is it now, with the Internet and everything else, you get whole groups of artists who have chosen to be regional? They really are only with the people they went to school with.
Then, with lots of people doing that without ever looking over their shoulders to see how they were affecting anybody else, it couldn't work, and it didn't work, and it just came to a standstill.
I first started doing service, actually, as a kid, doing service projects. Later in college, I started doing international humanitarian work that brought me to places like Bosnia, Rwanda.
That's how it all started, when I met my wife. My music career, even though I started when I was 16, it never really started till I was like 30, when I started singing and writing my own songs, and that's when it really took off. But prior to that, I was just doing a bunch of covers.
Ten Internets ago, when PayPal was started, it was all these tools that no one had built yet to bring commerce to the Internet. My first startup used PayPal.
A lot of people who curate in the business, and curate the art, don't really have good artistic sense. They may know commerce, but they aren't savvy enough to know how to balance commerce and art, you know? They don't know how to satisfy both palates.
If you're excited about what you're doing, it's a lot more likely that your employees will also be excited. People want to work for a person, not a company. It's about relationships.
I had never thought of hosting, but a really good friend of mine said, 'This is the most empowered platform to speak to young people about the issues that you care about, which is why you're in this in the first place.' So I was like, 'Yeah, no, it makes perfect sense.' And so that's what I started doing.
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