A Quote by Erik Estrada

Sergio Leone’s “Once Upon a Time in America” is a brilliant movie. It’s about four hours long, but it’s so well done. — © Erik Estrada
Sergio Leone’s “Once Upon a Time in America” is a brilliant movie. It’s about four hours long, but it’s so well done.
Sergio Leone's 'Once Upon a Time in America' is a brilliant movie. It's about four hours long, but it's so well done.
An important Italian critic once gave Fistful of Dollars a very bad review when it came out. Then he went to the university here [Rome] with Once Upon a Time in America. We showed it to 10,000 students. And while the man was speaking that day to the students, with me present, he said, "I have to state one thing. When I gave that review about Sergio's films, I should have taken into account that on Sergio Leone's passport, there should not be written whether the nationality is Italian or anything else. What should be written is: 'Nationality: Cinema.' "
I was always a fan of the great old spaghetti Westerns, the Sergio Leone films. But the one that always sticks with me, that I just thought was brilliant and perfect is "Cat Ballou." Lee Marvin in "Cat Ballou."
In my opinion, one of the biggest drawbacks about Sergio Leone films are the scores composed by Ennio Morricone. If [Leone] were as talented as I am, he would have made mixtapes for his movies instead of letting some schmuck write the soundtracks for him. But then if he were as talented as I am, he'd be Zach Braff. And have his own Grammy.
Sergio Leone came to see me when I was doing 'Mission Impossible.' He wanted me to do 'A Fistful of Dollars.' I turned him down. I didn't want to get stuck as a stoic Western movie star.
In general, we like to shoot Breaking Bad like a modern day Western, and Sergio Leone is one of my all-time favorite directors.
Sergio Leone has this weird western opera thing.
Sergio Leone was a big influence on me because of the spaghetti westerns.
But Sergio Leone invented totally the way of, you know, the details, the eyes, the hands - fantastic.
One hundred percent, I mean, many of the Sergio Leone movies were with Clint Eastwood, and that's what it is.
I first came to cinema as a passionate filmgoer, when I was a child. Then, when I was a very young man, I became a film critic precisely because of my knowledge of cinema. I did better than others because of this. Then I moved on to screenwriting. I wrote a film with Sergio Leone, 'Once Upon a Time in the West.' And then I moved to directing.
If you're doing an hour-long show, you're working movie hours, doing a 12-15-hour day. We work three or four hours a day, and get every third or fourth week off to give the writers time to write. It's the cushiest job in Hollywood.
My parents used to talk about Sergio Leone films a lot. And I got really into them. I love Clint Eastwood. I love the camera angles. I love the music.
I watched westerns when I was a kid, like everybody else, but I wasn't a total nerd or geek about it. I kind of fell in love with westerns heavily when I started watching Sergio Leone's westerns.
American slavery was not a Sergio Leone Spaghetti Western. It was a holocaust. My ancestors are slaves. Stolen from Africa. I will honor them.
And also, Sergio Leone was considered in Italy a director of category B, not a big director.
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