A Quote by Erik Estrada

I like working with an actor who doesn't do the oneupmanship. One who has no trick and gives a true, honest performance. — © Erik Estrada
I like working with an actor who doesn't do the oneupmanship. One who has no trick and gives a true, honest performance.
We're very good friends, we have a very honest relationship. He keeps me honest, I keep him honest. He's an incredible actor and when you have an actor like Denzel action becomes drama.
[Ed Lauter] was an actor's actor. I love working with that class of actor. You know, they come in, they do it, no bullshit. There's no artifice, there's no fanciness, they're just honest and tough and direct.
The director is the most important because, ultimately, as an actor, when you watch a movie, it looks like an actor is giving a performance, and they kind of are. But, what's actually happening is that an actor has given a bunch of ingredients over to a director, who then constructs a performance. That's movie-making.
I just keep working out. You can't stop. Everyone thinks there's a trick, but there's no trick! The trick is, you have to be consistent.
For me, some of the happiest moments on a live-action film are the awkward moments. One actor says something to another actor. They didn't expect that performance from that actor; that affects their return performance.
The cool thing for me, as an actor, I like to be as true and honest as possible, and I'm into real fight training.
My grandad gives me an honest opinion on the games and my performance. I really respect him for that. He's really helped me develop as a person and a player, and he's always been honest with me, whether I've had a good or bad game, where I need to improve.
When you're writing something new, writing something that's your own, basically you have nothing else to do except either invent a trick, use someone else's trick, or have no trick and get a bad performance.
The most vital thing for an actor to deliver a great performance is to be honest to the role he or she is playing.
I'm a working actor, and I'm really appreciative to be a working actor, but it's another level when you're a working actor with the likes of Sarah Paulson and Angela Bassett.
I'm always aware that there's a trick to television to prevent an actor from becoming too lazy. Once you become too familiar with a character, it can stifle the adrenalin from flowing through in the performance.
I made my performance debut in New York City downtown on the Lower East Side in college doing awkward performance art as a go-go dancer at Lady Starlight's Party. And I never thought that my love for mediocre performance art and bad mime would ever come to use in my career as an actor. But my fantasies came true and I got to play Maureen in Rent.
The actor depends wholly on himself. He gives his performance in what, to him, seems the most effective manner.
As an actor, that's the most important thing. You want to be able to let go and not hold onto anything, so that you can give an honest portrayal and performance.
The performance is created by the director. The actor is the material. And I think that has to be true.
Denzel Washington invoked confidence. When you have confidence, you can do anything. And that's what happened. I learned about being honest and keeping it true, keeping it true in my performance.
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