A Quote by Erik Hassle

Musicians were always coming and going in our house. My parents didn't play much, but they were forever arranging these parties for artists. As a result, they didn't have to play that many records.
My parents were really into music. They would play the Funkadelics, Parliament, OutKast; they would just play that all around the house. They'd also play Isaac Hayes, Marvin Gaye, James Brown.
My parents were very musical in the sense that they were, you know, music lovers and avid buyers of records, but none of them actually play an instrument.
Think about reading: Today, parents would love it if their kids read books more because the parents understand the books. Just over 100 years ago, parents were upset because their kids were reading dime-store novels. Parents would say, "I don't want you inside reading anymore. Get outside and play." I guarantee you, in 50 years or so, parents are going to say, "You're not going outside to play until you finish that video game."
My parents had a love for music. There were so many records, so much music constantly being played. My mother played piano, my father sang, and we were always surrounded in music.
My best mates when I was 19 were all in their 30s. I used to go to all their house parties, and they were crazier than the guys who were 17, 18. They were so much more liberated than the people who were apparently shackle-free.
I have a feeling a lot of the records I grew up listening to and the records I still like, as hard as musicians worked making them, I feel like they were really enjoying what they were going through. They weren't just going through the process. You can tell that with certain things that you listen to.
There's a rule in acting called, 'Don't play the result.' If you have a character who's going to end up in a certain place, don't play that until you get there. Play each scene and each beat as it comes. And that's what you do in life: You don't play the result.
One of the things I've heard musicians say that's true is, 'I would play for free. I would play music forever, but you have to pay me to travel.' I know we're always going to make music. The traveling part - that is the most wear and tear on any human.
I started playing drums at a pretty early age because my parents were musicians. My dad was an amazing multi-instrumentalist and I can play a lot of instruments, but my dad actually played all the instruments I could play and then added another twenty five or thirty five different categories on there ...he was incredible! He got an act actually in Vegas, my parents Bobby and Phyllis Sherwood.
St. Andrews is my favorite place to play golf. I've said it many times. I love the design. I love how there is always a bunker in play. And every time you play, it is always a little bit different. There are so many angles out there. It is beautifully designed. And so much fun to play.
I had a chance to play with the best musicians that were coming through because I was pretty good myself or else they wouldn't have tolerated with me.
I used to go over to Gene Kelly's house and play volleyball, and Paul Newman and Marlon Brando were always there. You kind of took it for granted because I was 20, 21, 22, and they were a bit older - well, Gene certainly was. But it was just part of daily living. They were in the same profession, and you didn't think that much about it.
Music was always a big part of our family life. My dad's brother used to play the harmonica at family parties, and my mum was in the Luton Girls Choir, who did lots of radio broadcasts and performances in the 50s. I have older cousins who used to play me their soul and ska records.
Offers for me to play dances, society parties, even churches, were now coming in regularly. For most dates I was paid the sum of one dollar per hour, and they always tipped me at the end of the night.
Burmese authors and artists can play the role that artists everywhere play. They help to mold the outlook of a society - not the whole outlook and they are not the only ones to mold the outlook of society, but they have an important role to play there. And I think if they take up this role seriously and link it to the kind of changes were wish to bring about in our country they could be a tremendous help.
For us, as artists, our goal isn't to forever try to play at the biggest venue ever. Our goal is to make music and keep pushing ourselves creatively, whether it gets attention or not. If we get to do that without being broke? That's our goal. And that may not mean that's going to result in us playing the biggest venue in the world.
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