A Quote by Erik Larson

I usually look for stories with barriers to entry, something complex enough that no one else is going to do it. — © Erik Larson
I usually look for stories with barriers to entry, something complex enough that no one else is going to do it.
There is an important distinction between barriers to entry and barriers to imitation.
Broadband eliminates so many barriers to entry for so many different people that it's actually become a barrier to entry in and of itself if you're not getting online on a regular basis.
In the information age, the barriers [to entry into programming] just aren't there. The barriers are self imposed. If you want to set off and go develop some grand new thing, you don't need millions of dollars of capitalization. You need enough pizza and Diet Coke to stick in your refrigerator, a cheap PC to work on, and the dedication to go through with it. We slept on floors. We waded across rivers.
I honestly would tell anyone young to start looking at stories and learning story, because I think that’s the next step after people go, ‘OK, I’ve had enough of that improvisation, I’ve had enough of those short comedy bits. Tell me a story, tell me a more complex story, something that lasts and maybe has a little more meaning to it.’ Don’t ever look at what’s happening now; look at what’s coming next.
From some dilatory reading in the early 1960s, I knew enough about viruses and their association with tumors in animals to understand that they might provide a relatively simple entry into a problem as complex as cancer.
I just like good stories. I like really interesting scripts, I love really great filmmakers. And I'm open to all genres and all stories. But, there's certain ones that attract me, and I don't really sort of look at what I think is going to be successful, I look at more so, you know, is this what I want to do regardless of what everybody else thinks?
I think 'Pretty Little Liars' is going to be hugely popular for adults, for kids, for girls, for guys, you know, something for everyone to look at, and the stories are going to be great. There's suspense every week. The friendship is really fun to watch. I think it's going to have something for everybody.
I believe that there are barriers, educational barriers, cultural barriers, societal barriers, that are keeping people from accessing the promise of a vibrant free enterprise economy.
Baseball was my goal from a young age, but gambling had significantly fewer barriers to entry.
The history of the ticketing business was about barriers to entry, which kept Ticketmaster protected. That has changed.
People put barriers up in your path, and one of those barriers is age. They tell you, "You're too old. You don't photograph so well anymore." I know I don't photograph so well anymore, so what can I do? I can do something different, where it doesn't matter as much how I look.
Falling entry barriers and lower access costs have significantly democratised participation, whether in production or consumption.
Dream barriers look very high until someone climbs them. They are not barriers anymore.
There's something extremely rewarding about following characters that you like and knowing that there's as many hours of viewing as you have the appetite for. You can tell more complex stories; you can create more complex characters in the longer form.
Everybody has barriers and obstacles. If you look at them as containing fences that don't allow you to advance, then you're going to be a failure. If you look at them as hurdles that strengthen you each time you go over one, then you're going to be a success.
I don't have to have a single point of emphasis in the picture. It can be complex, because it's so detailed that the viewer can take time and read it, and look at something here, and look at something there, and they can pay attention to a lot more.
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