A Quote by Erik Larson

I'm always looking for a sign - not in a spooky, supernatural way, but in a 'neurotic writer' kind of way. — © Erik Larson
I'm always looking for a sign - not in a spooky, supernatural way, but in a 'neurotic writer' kind of way.
There's this great kind of spooky dance that happens that I can't access any other way. I think most of us are given kind of one pathway to that dance, and that's why I'm a writer. It's the only way I can get there. I can't do it through art, I can't do it through singing, I can't do it through mothering, I can't do it through invention.
It's akin to style, what I'm talking about, but it isn't style alone. It is the writer's particular and unmistakable signature on everything he writes. It is his world and no other. This is one of the things that distinguishes one writer from another. Not talent. There's plenty of that around. But a writer who has some special way of looking at things and who gives artistic expression to that way of looking: that writer may be around for a time.
The fact is that I write under duress, often in my bed, often at the last minute. I'm kind of a binge writer I would say, which I don't support. I was always kind of that way. Probably the time I was the most regular as a writer was college. It was like, what else is there to do when you're living in the Midwest studying creative writing?
You're always looking for some new way to tell the same story, but it's how they get to the happy end that is the challenge and the fun for a writer.
The whole idea of being mesmerized and not in control of your own actions is fascinating and a little spooky. I remember hearing about someone who'd gone to a magic act, and a person in the audience had become hypnotized by observing too closely what magician was doing on stage, and thought it was spooky to lose your consciousness that way.
I've always been drawn to spooky things, to the unusual, to things that are dark but in a friendly way.
Yeah, we were looking for a way to represent adulthood and the passing into adulthood. And I think, for me personally and a lot of the folks that I work with, childhood is kind of a sacred, special kind of point in time that has a real joy and purity to it. And we sort of long on a daily basis to reach back and kind of grab onto that in some way.
The similarity between the big directors I've worked with is that they allow the writer to find a way of doing what they want done without saying 'do it this way.' They describe what they want, then letting the writer figure out a way to do it.
Looking back at my younger self, that I'm not so different than I am now. I was always a seeker. I wanted very ambitiously to be a writer and what happened between now and then is that I continually threw myself in the way of those things that would help me become that, of doing and finding and learning from things that altered me along the way.
I was always amazed the way people would come in looking one way and transform completely to the point where I couldn't recognize their language, their accent, the way they looked, their hair, their face even changed becoming so inside of the character.
As a writer, I'm always looking for what I call the universal, something everyone has felt and they can identify with. That's the reason for the success of 'All By Myself.' Who in the world hasn't felt that way in some point?
But since day one, we've always been kinda up against it. So at the end, it's not surprising that we were kind of led along for so many months and didn't know what the fate of the show was gonna be. It was... in a weird way, just kind of that was the way it's always been.
I wanted to write a horror story. But in some ways, I have always thought of myself as a kind of ghost-story/horror writer, though most of the time the supernatural never actually appears on stage.
There are three ways to ultimate success: The first way is to be kind. The second way is to be kind. The third way is to be kind.
I'm always thinking ahead, and I'm always curious about what's happening next. I thrive on that kind of thinking, so I don't burn out. And I think that's a sign - if you can't stop thinking about your job, in a positive way that energizes you, then you're probably where you're meant to be.
And Supernatural, in fact, going there wasit felt like a place where I had to actually, um, learn to be kind of manly. I felt like I had to kind of change my, like, way of speaking for a little bit, just to kind of fit in, oddly enough. Which was weird.
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