A Quote by Erik Larson
I have found from experience that it is often interesting and useful to start from the edges and work inward - another flaw of mine. I seldom approach things directly. I would have made a great moth.
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The path of progress is seldom smooth. New things are often found hard to do. Our fathers found them so. We find them so. But are we not made better for the effort and scarifice?
An artist of understanding and experience can show more of his great power and art in small things roughly and rudely done, than many another in a great work. A man may often draw something with his pen on a half sheet of paper in one day . . . . and it shall be fuller of art and better than another's great work whereon he hath spent a whole year's careful labor.
I had a great chemistry teacher and found it really interesting to learn how things are made up and how they work.
Their task [creative artists], therefore, is to communicate directly from one inward world to another, in such a way that an actual shock of experience will have been rendered: not a mere statement for the information or persuasion of a brain, but an effective communication across the void of space and time from one center of consciousness to another.
Be yourself; no base imitator of another, but your best self. There is something which you can do better than another. Listen to the inward voice and bravely obey that. Do the things at which you are great, not what you were never made for.
And as a young black man, a lot of my professors would really think that it was useful to see the work of politically oriented, positivistic, leftist creative works. And I found it incredibly useful. And I found it something that I've learned from and gained from.
Fly away, pretty moth, to the shade Of the leaf where you slumbered all day; Be content with the moon and the stars, pretty moth, And make use of your wings while you may. . . . . But tho' dreams of delight may have dazzled you quite, They at last found it dangerous play; Many things in this world that look bright, pretty moth, Only dazzle to lead us astray.
I love the internet and it has been incredibly useful and I have made discoveries that have been immeasurably crucial to my work- things I don’t know how I ever would have found out otherwise, that are perfect, just what I need for whatever I’m doing.
Overcomers have a 'finishing' anointing. They don't merely start things. They keep on moving forward until they complete the task. Many people love to start new things. They like to be creative. They enjoy thinking of new projects and dreaming about new adventures. Often, these people actually start some of the new things they are planning for the future. The problem is that they seldom finish what they start.
I find it interesting that people often seem to believe that authors of realistic fiction are directly translating their personal experiences into their work. The fact is that telling a story is a transformative experience. There is rarely a one-to-one translation onto the page unless you're writing memoir, and even then, memory is unreliable. I think that the best books feel emotionally true, and that truth has to be rooted in real-world experience.
The fact that my clothing has been visually available to other people I do not find upsetting. The body is another matter. It is mine; I have found it useful; but it is an avatar.
Is so interesting, is that when you're blindfolded and you're talking to somebody the conversation goes to places that it would never go if you could see the other person's reaction. You start talking about very intimate things. It's such an interesting experience.
I think the best pictures are often on the edges of any situation, I don't find photographing the situation nearly as interesting as photographing the edges.
For 'The Big Wander,' I probably had ten different outlines before I made myself start writing. I would sleep on each one, thinking it was wonderful, but I would always awake perceiving some flaw.
Earl Mills is probably the best role I've ever been given in a film. And it was a great experience to work with Halle [Berry] and Klaus Maria Brandauer, an Austrian actor who's a hero of mine. Martha Coolidge directed the movie [Introducing Dorothy Dandridge], giving me another shot, and it was an amazing experience.
Usually I work out the plot before I start. This time I thought: Writers always talk about not knowing where a book is going - -I want to experience that, too. What I found out is that it's very interesting, but it takes much longer because you have so many false starts. You take wrong turns and you have to go back and start the whole chapter, or the whole section, from scratch.
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