A Quote by Erik Larson
The reason I choose the stories I choose - and it's why it takes me so long to find ideas - is that I'm looking for that very thing. I want an idea that begins, I want a middle that is compelling and will bring readers along, and I definitely want an ending.
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I believe kids should choose what they want to do, because it's their life, but they have to choose something, and they can't quit in the middle unless there's a really good reason. There are going to be peaks and valleys. You don't want to let kids quit during a valley.
When we love another, we never ever seek to limit or restrict them in any way whatsoever. Love says, "My will for you is your will for you." Love says, "I choose for you what you choose for you." When I say, "I choose for you what I choose for you," then I'm not loving you. I'm loving me through you, because I'm getting what I want, rather than seeing you get what you want.
When you choose the hard things, it takes longer than you think to get it done, and if you choose the hard thing and have a very particular way you want to do them and are uncompromising in that, then sometimes it takes even longer.
To live is to choose. But to choose well, you must know who you are and what you stand for, where you want to go and why you want to get there.
This I choose to do. If there is a price, this I choose to pay. If it is my death, then I choose to die. Where this takes me, there I choose to go. I choose. This I choose to do.
The first complaint we hear from everyone is: 'Why would I want to join this stupid useless thing and know what my brother's eating for lunch?' But that really misses the point because Twitter is fundamentally recipient-controlled - you choose to listen and you choose to leave. But you also choose what to put down and what to share.
What do you think it is to be normal?' Why in the world would you want to be?' she says. I don't know. I guess that's the problem.' I don't think normal is that great.' But so many people choose it,' I reply. I don't think that's it at all. I think most everyone is normal and some of us, for whatever reason, choose to reject that and wear ruby red slippers or old black hats.' Well, why do we choose the hard road?
It's such a cliche thing to say. I want to choreograph, I want to direct, I want to act, I want to write music, I want to play music, I want to sing. For me, it's never-ending. I want to do it all, really.
I've gotten a lot of comfort from the philosophy of the Roman Stoics. For me, one of the most powerful ideas of Stoicism is that you can't pick or choose in the world what you want to happen and what you don't want to happen, and that actually if you did get to choose, the version you would come up with would be unsociable, lame, and basically less beautiful than the truth.
We can work, study, laugh and have fun, dance, sing, and enjoy many different experiences. These are a wonderful part of life, but they are not central to why we are here. The opportunity to choose good over evil is precisely why we are here. Not one of us would say, "I want to choose evil." We all want to choose the right. However, the choice of good over evil is not always easy, because evil frequently lurks behind smiling eyes.
I want to look after myself and have a long-lasting career if I can. I want it in my hands and choose when I want to stop playing. I also want to be around for my kids to watch them grow up.
We still can't control the consequences our choices will bring. Not only do we want freedom of choice, but we also want a guarantee that whatever we choose will be exactly as we envisioned it.
But as we are looking toward our future, I'm not sure it matters what we want to be but rather who we want to be. Someone honest or deceitful?Someone kind or cruel?Someone loyal or unfaithful? In any profession we can elect to be any of those things. I think this assignment is not only about what we choose to do but about who we choose to be. I choose to always be loyal to myself. -Raven Madison
I want to expand the question of when something is done. I want to vex the ending. I want to mess around with that. I like the idea that if you make a work that has no clear ending, then you must play with the ending. Because if you don't, you're not highlighting the weird, lovely openness of abstraction.
This objective of getting what we want from other people-or getting them to do what we want them to do-threatens the autonomy of people, their right to choose what they want to do. And whenever people feel that they're not free to choose what they want to do, they are likely to resist, even if they see the purpose in what we are asking and would ordinarily want to do it.
I certainly support anyone's prerogative to hire or not hire whomever they choose, and I definitely don't want to work for someone who doesn't want me.
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