A Quote by Erik Larson

I knew Berlin would have to become a kind of character in my new book, 'In the Garden of Beasts'. I had felt likewise about Chicago when I wrote 'The Devil in the White City' and Galveston with 'Isaac's Storm'.
'The Devil in the White City' - the 'White City' was the nickname for the World's Fair of 1893, the World's Columbian Exposition in Chicago.
In the 19th century, Berlin was called the German Chicago. Or Chicago was called the American Berlin because they were sort of new cities or new powerhouses.
Chicago seems to follow New York, and coming from New York and being in real estate, I worry about things happening in Chicago that have happened in New York. I've seen a great city like New York go downhill. It has a wonderful financial downtown, but the rest of the city is not very nice.
I knew that if I wrote a new book every six months or every year, if I continued to read great books, eventually I would write something worthy of publication. I understood I might be in my forties or my fifties or even my sixties, but I felt confident that it would happen.
I love the book 'Devil in the White City.'
After college, I was living in New York and wrote furiously, a huge novel that I knew was a failure. I hoped that the book would work, but to be honest, I think I knew it would never work, even as I was finishing it.
I had no particular image of Chicago in mind when I wrote 'My Kind of Town.' All I wanted to do was write a song in praise of Chicago, and that's what I did.
I knew that I had to find out more about van Gogh. Even though I was far too young, and felt I did not have sufficient technique to write a book about Vincent van Gogh, I knew I had to try. If I didn't I would never write anything else.
The first comic book I ever bought, I was in third grade. It was 'Avengers,' I think, #240. I grew up in Kansas City. And I walked into a 7-11. I had seen, like, 'The Hulk' TV series. I knew about comic book heroes. I knew about it, but I hadn't actually had a physical comic in my hands until that time. And it was a big deal for me.
I knew as far back as 2001 that I would write a book called 'A Visit From the Goon Squad,' though I had no idea what kind of book it would be.
If you do a black character or a female character or an Asian character, then they aren't just that character. They represent that race or that sex, and they can't be interesting because everything they do has to represent an entire block of people. You know, Superman isn't all white people and neither is Lex Luthor. We knew we had to present a range of characters within each ethnic group, which means that we couldn't do just one book. We had to do a series of books and we had to present a view of the world that's wider than the world we've seen before.
I moved to Chicago when I was 28, and I wasn't completely idealistic about going to Second City and making a living from comedy, but I knew it would be great for the resume.
I did an adaptation for a movie called 'The Devil in the White City' by Erik Larson for Warner Brothers. I love that book.
'Orphee' is, for me, about changes: about moving to a new city, leaving behind an old life in Copenhagen, and building a new one in Berlin - about the death of old relationships and the birth of new ones.
Some years ago, I wrote a book called the Emperor's New Mind and that book was describing a point of view I had about consciousness and why it was not something that comes about from complicated calculations.
Some years ago, I wrote a book called the Emperor’s New Mind and that book was describing a point of view I had about consciousness and why it was not something that comes about from complicated calculations.
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