A Quote by Erik Parker
Nas' Illmatic blew my mind when I first heard it. The poetry was done on such a high level that in a way, it validated our existence, our culture. He used the language of the street at the time and made it art. Art tends to be validating.
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The things Nas' Illmatic was saying were sometimes hard realities but it was done on such a high level, I felt I could point to him as a representative. Someone who put my struggle and my worldview into poetry.
... poetry is not a luxury. It is a vital necessity of our existence. It forms the quality of the light within which we predicate our hopes and dreams toward survival and change, first made into language, then into idea, then into more tangible action. Poetry is the way we help give name to the nameless so it can be thought. The farthest horizons of our hopes and fears are cobbled by our poems, carved from the rock experiences of our daily lives.
When it comes to the street-art world, there are a lot of people who realize if they go out and put up a few pieces of street art and photograph them really well, even if their locations weren't actually that high-profile or dangerous, with the level of exposure they get from the Internet, with a large audience, they can maintain that rebel cache by having it be theoretically documented street art.
Art is not like other culture because its success is not made by its audience. The public fill concert halls and cinemas every day, we read novels by the millions, and buy records by the billions. 'We the people' affect the making and quality of most of our culture, but not our art.
Our evangelical culture tends to take the awesome reality of a transcendent god who is worthy to be feared and downsize Him so He could fit into our "buddy system." The way we talk about Him, the way we pray, and, more strikingly, the way we live shows that we have somehow lost our sense of being appropriately awestruck in the presence of a holy and all-powerful God. It's been a long time since we've heard a good sermon on the "fear of God." If God were to show up visibly, many of us think we'd run up to Him and high-five Him for the good things He has done.
Our time and attention is scarce. Art is not that important to us, no matter what we might like to believe... Our love of art is often quite temporary, dependent upon our moods, and our love of art is subservient to our demand for a positive self image. How we look at art should account for those imperfections and work around them. Keep in mind that books, like art museums, are not always geared to the desires of the reader. Maybe we think we are supposed to like tough books, but are we? Who says? Many writers (and art museums) produce for quite a small subsample of the... public.
Intellectual culture seems to separate high art from low art. Low art is horror or pornography or anything that has a physical component to it and engages the reader on a visceral level and evokes a strong sympathetic reaction. High art is people driving in Volvos and talking a lot. I just don't want to keep those things separate. I think you can use visceral physical experiences to illustrate larger ideas, whether they're emotional or spiritual. I'm trying to not exclude high and low art or separate them.
Art can no longer be art today if it does not reach into the heart of our present culture and work transformatively within it that is, an art which cannot mould society — and through this naturally operate upon the core questions of our society — is not art.
Art is not made only one way, art is a point of view? Rembrandt in our days would be Rembrandt again, because the work of the master is his self. But in order to be Rembrandt in ourdayshe would have used new ways that would give a new culture.
It may well be, of course, that America's pop culture is on balance better than our high art. I don't think so, but you can certainly make a case that the best of it aspires to a degree of aesthetic and emotional seriousness that is directly comparable to all but the very greatest works of high art.
I believe that it is important for the artist, painter, poet, dancer, etc. to keep in mind that it is the art that drives the art world and not the other way around. Artists and other people of intelligence have the power to bring deeper content to our culture.
To the question, ‘Is the cinema an art?’ my answer is, ‘what does it matter?’... You can make films or you can cultivate a garden. Both have as much claim to being called an art as a poem by Verlaine or a painting by Delacroix… Art is ‘making.’ The art of poetry is the art of making poetry. The art of love is the art of making love... My father never talked to me about art. He could not bear the word.
We want people to experience art and think about it. The art reflects our time, it is about our culture.
Art is a foreign city, and we deceive ourselves when we think it familiar. We have to recognize that the language of art, all art, is not our mother tongue.
Art is one of the dirtiest words in our language; it's mucked up with all kinds of meanings. There's the art of plumbing; there's the art of almost anything that you can say.
Visual media is the dominant art form in our present day culture, whereas poetry is, at best, a proxy. Yet poetry and film are both "dream factories."
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