A Quote by Erik Prince
The people we helped in the field, they know what the legacy is. The 40% or so of Americans that really can't stand the name of Blackwater, that's fine, I'll never really win them over anyway. And I really don't care.
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I'm friends with Dierks Bentley. Aside from that, I don't really know anybody else in the country music field, really. I've met the Lady Antebellum people and I met Marty Stuart briefly once. He's really nice, but I don't know any of them, really.
Even people that know Johnny Cash's music really well and know that he was married don't really know that much about June Carter. So finding out about her really helped to inform my performance and to bring her to the front in a way that she has never been before.
Before my last year at Arsenal, when we won the FA Cup, I was really up and down, never really consistent, and never really put my mark on the team. I understand that then there were question marks over my name.
The best way to establish rapport with people and to win them over to your side is to be truly interested in them, to listen with the intention of really learning about them. When the person feels that you are really interested in getting to know them and their feelings, they will open up to you and share their true feelings with you much more quickly.
People don't really compare me to anybody. They just say I'm a mumble rapper. I'm fine with that. I don't really care.
People are looking a lot at statistics and all these things, but in the end, I don't really care. If we can win more games than last year where I score less, I will be really happy. And maybe if we can win a few titles, that's the bonus.
You're not going to win by automatically going out there. It's hard to know what people really expect of you, and I've never tried to live up to expectations anyway. That's no way to play baseball.
Theater is such a different ballgame than film. And that's really why I stayed in film, because I really love the reality of connecting with your own feelings, and really putting that across in a realistic way. In film, the smallest muscular movements in your face, that are produced just by sheer feelings, you're not controlling them in anyway, can be seen by people in the audience because your face is sometimes, frighteningly, 40 feet wide!
The way I stand and my posture really complicates my opponents; they don't understand it and don't know what to do about. The way I stand there in front of them really throws them off.
Diving is a really, really difficult one because a player is the only one who genuinely knows whether they have dived. You can look at it at 40 different angles and not know. And you can just fall over, too.
In America, people really struggle with my name, so I don't have a nickname as such. I've had Sharlito, Sheldon, Charldo, really interesting variations on the name. Some of them can get it, but many can't.
You almost have to step outside yourself and look at you as if you were someone else you really care about and really want to protect. Would you let someone take advantage of that person? Would you let someone use that person you really care about? Or would you speak up for them? If it was someone else you care about, you'd say something. I know you would. Okay, now put yourself back in that body. That person is you. Stand up and tell 'em, "Enough!
I really like the director [for Weeds]. I don't know if you've spoken to him yet but he's really, really intelligent. He was just really kind when I met him and nice and really told me why I should play the part...and kind of really didn't argue with him. He's just really, really smart and assembled these really great people. I felt like he really knows how to enlist his intelligence to get you - I don't know - he's really hard to argue with I find.
For me, I didn't really have family that was in entertainment. I didn't really grow up with an uncle that's a TV writer or something, so I didn't even know that it was possible at all. I slowly learned more about it and ended up here. I want people to not be discouraged by the fact that they don't have a legacy in Hollywood that's bringing them in.
I don't do commentaries on films because A) I'm not very good at it and B) it's an odd thing that I discovered, on my first film, that you go through this really intense experience of making a film and then you sit in a little room with a monitor and you reduce the thing to a bunch of silly anecdotes. It's really unfulfilling and I've never really enjoyed listening to them anyway, so I just don't do them.
Zbigniew Brzezinski, who was really one of the - whose name is impossible to pronounce - who was really one of the architects of this very aggressive American interventionist foreign policy, you know, really stand up to Russia, challenge them, not only Russia but China. He's changed his tune now and is basically advocating for a much more diplomatic and collaborative approach to the other power centers of the world that are just kind of moving on without us right now.
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