A Quote by Erik Rutan

I've always tried to be kind of poetic in my lyrical approach. — © Erik Rutan
I've always tried to be kind of poetic in my lyrical approach.
I really appreciate Frank Ocean's lyrical style, I appreciate the way that he can kind of draw you into this personal space, but it's still lyrical. It's almost poetic, in a way, but it's very personal at the same time.
You weren't able to talk sense into him?" Well, we kind of tried to kill each other in a duel to the death." I see. You tried the diplomatic approach.
I think of Gord Downie voice as Whitman-esque. He has a poetic voice that contains multitudes, both the suppleness of the instrument of his voice, and just the lyrical boundaries that he pushes, which are really always thrilling to me.
What I strive to do with songwriting is be really honest, authentic and try to be open and share that with people. I choose that over trying to be clever, poetic, or lyrical.
The Oriental approach to violence is a much more aesthetic and poetic approach, whereas in the western world, violence is put in because you can't solve the problem. Violence is always the last solution, but unfortunately, in cinema, it's the first solution, because it's easy. And it's often too easy.
Sometimes you can publish a first novel in a kind of lyrical flourish, but it is not really a lyrical form. The beautiful truths about the world are more hard won than that. Novels should be bleach boned. It's a question of cumulative observation and lived suffering. It takes time.
I approach every week the same. I think I've always tried to be very professional to how I approach the game, my preparation. Every game is important.
God is a synergetic experience. Science can never reveal it, philosophy can never come to it - only a poetic approach, a very passive, very loving approach, can.
I tried singing. I tried playing a musical instrument. I really wanted to be a musician, but I never could quite pull that off. I liked entertaining, but I was always drawn to some kind of technical work - some kind of honest labor.
I still love poetic imagery. I love the idea of using surrealist speak to generate lyrical content and I love the way English can be exciting in and of itself.
I have never tried to bind myself in some kind of an image on screen. I have always tried to do different things.
Who among us has not dreamt, in moments of ambition, of the miracle of a poetic prose, musical without rhythm and rhyme, supple and staccato enough to adapt to the lyrical stirrings of the soul, the undulations of dreams, and sudden leaps of consciousness.
Trinidadians love speaking their own English; it's full of poetic forms and can be playful and lyrical and comical. Trinidadians are verbal acrobats, and I love being on the island just to hear the people speak.
'Astitva' is all about a woman's search for her identity in a male-dominated world. It is not a feminist kind of approach. Rather, I have tried hold a mirror to the men in our society.
That's what I've always tried to do. I've always tried to prepare the same. I've always just tried to keep the same routine throughout the season and go out there and try to be consistent on Sundays.
I know I have patterns and I've always tried hard to avoid them. There are definitely certain things in my music, if I'm looking back, "Well, that was a period where I was experimenting with a certain kind of chord structure or a certain kind of sound." I've tried really hard, but I'd be hard pressed to tell you what that sound, what that tangible sound of "me" is.
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