A Quote by Erik Satie

Before I compose a piece, I walk round it several times, accompanied by myself. — © Erik Satie
Before I compose a piece, I walk round it several times, accompanied by myself.
My mom's a screenwriter, and before that, she was an actress, and my father was an actor; my stepfather was a director, so I was on sets a lot as a kid. I loved the magic of the set. You walk in, and it's a living room, and you walk outside, and it's just a piece of wood held up by another piece of wood.
Of course there are times when I hate London, but equally there are times when I can walk 'round a corner and I really feel that this is my place.
What you compose with is neither here nor there, you compose with words, or you compose with stone plants and trees, or you compose with events; the Sheriff's officer, or whatever.
I’ve been round the world several times and now only banality still interests me.
I found myself recycling ideas and I saw that I had to invent reasons to compose a piece rather than start from some exciting idea.
I like to compose, but only for myself. I write my own lyrics and compose the music around them.
How many times have I failed before? How many times have I stood here like this, in front of my own image, in front of my own person, trying to convince him not to be scared, to go on, to get out of this rut? How many times before I finally convince myself, how many private, erasable deaths will I need to die, how may self-murders is it going to take, how many times will I have to destroy myself before I learn, before I understand?
Nothing seems to me more doubtful than Aristotle's remark that it is probable the arts and philosophy have several times been discovered and several times lost.
Aye, aye! and I'll chase him round Good Hope, and round the Horn, and round the Norway Maelstrom, and round perdition's flames before I give him up.
It was around the end of the '60s, when I began to compose sonic meditations. Before that I was doing a lot of reflecting on myself, and listening to long tones.
To create, I destroyed myself; I made myself external to such a degree within myself that within myself I do not exist except in an external fashion. I am the living setting in which several actors make entrances, putting on several different plays.
I wait. I compose myself. My self is a thing I must now compose, as one composes a speech. What I must present is a made thing, not something born.
Why did I walk so purposefully in a straight line? Where would it take me? He went round and round and we got there all the same.
I tried to put myself up for adoption several times.
I auditioned several times before I got the part in 'Shuddh Desi Romance.'
When I was in school in the Art Institute, we had several problems during the course of the time we were taking ceramic classes where we had to do a sculptural piece. And when I say a sculptural piece, it's nothing like what we conceive of now as a sculptural piece.
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