I really find comfort in watching film and obtaining knowledge and I use statistics and computer generated stuff to help me get those stats. That was probably a result of my father's influence on me at a young age.
It's all about winning. Stats really don't matter, I mean, guys have great series and all that, and people take notice and take their place in history with those stats and all that stuff. But at the end of the day, it's all about winning and what you can do to help your team get to that point.
Honestly, I still don't use my computer. My kids use the computer more than I do! I understand that a lot of people are into it, and I have days where I write and stuff, but it's really not for me. It's not my thing.
CGI is to me like watching a cartoon. It can be effective, if it's done well. A lot of times you don't feel any real risk. You're watching a bunch of computer-generated graphics.
I wanted to get into art. I did some neon stuff. I worked in, not computer-generated, but computer manipulation of pictures.
It's hard for me to find a script that's perfectly suited to me, so even if it's a good script, I'll still have to work on it with someone and shape it, making it the film that I want to make. So in that respect, I prefer to do the stuff that I've generated anyway.
I loved numbers from a very young age. I feel like my mom led me there because, instead of giving me Game Boy and PlayStations and a TV, she gave me educational software on our family computer for Math and stuff.
Tennis is interesting. I feel, in terms of stats and stuff, maybe we're a little bit behind the curve, especially me just coming to the States and seeing stats used for, obviously, NFL, NBA, et cetera. Especially in baseball, there's stats galore.
The most important thing regardless of my stats or anybody else's stats is the win-loss record. In the locker room people are always telling me, you're doing this and that. I don't really pay that much attention so long as we have a 'W' in that column; that's the kind of thing that makes me really happy. It blows all stats out of the water.
There's those young girls that I once was, looking up to Mia Hamm, Christine Lilly, all those players, and I know how much of an effect they had on me. Knowing that, I feel like I'm in a position where I can really help be a positive influence in girls' lives.
There are a lot of distractions when you're in creative industries like publishing or fashion or media, and it's a real blessing to have witnessed some of those up close at a young age. I think when you get past the glamour, that's when you get to the good stuff - the stuff that really feeds your soul and enriches you as a person.
There is unspeakable comfort in knowing that God is constantly taking knowledge of me in love and watching over me for my good.
People find it hard to get their heads around nominating a computer-generated character, but every time you see Gollum on the screen, that's me who is acting up there - even if it is behind a mass of pixels - and it's my voice you hear.
I was so lucky because I started working very young. And my father was very wealthy and I didn't need to work. I did my films. I was very well paid for my age, and I could make choices, decide not to do a film for six months and wait until I'd get the right thing. Which made me quite a coward, you know. It's so easy to say no to stuff, and then, after a while, it's very hard to go back in.
Humanity can be roughly divided into three sorts of people - those who find comfort in literature, those who find comfort in personal adornment, and those who find comfort in food.
I do feel quite strongly about this that probably one of the things that unfortunately this age now to get a Nobel Prize is to really use part of it to help the young people get excited about science.
Watching Jaws just scared the living daylights out of me when I was young. I know a lot of people my age who are still petrified of sharks because of that film.