A Quote by Erik Wolpaw
In defense of games, I want to point out that the writing in plays, including everything by August Strindberg and The Lion King, is 100% pure crap. So we're doing better than they are even though they have the benefit of mostly not being about space marines.
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Writers on the subject of August Strindberg have hitherto omitted to mention that he could not write. ... Strindberg, who was neither a good nor a wise man, had a stroke of luck. He went mad. He lost the power of inhibition. Everything down to the pettiest suspicion that the dog had been given the leanest mutton chop, poured out of his lips. Men of his weakness and sensuality are usually, from their sheer brutishness, unable to express themselves. But Strindberg was mad and articulate. That is what makes him immortal.
I'd like to play something classical. I'm in the Strindberg society, and we do readings of Strindberg plays. I'd love to do Nora in 'A Doll's House.' And Chekhov. I have been working back to back on what I call 'regular jobs,' so it's hard to do plays.
Even though Sachin is great, I have always found Rahul more solid and hard to get out. He has a solid defense and plays less shots than others. When a batsman plays less shots then it is tough to get him as he makes less mistakes.
I did plays in high school, but I was convinced you couldn't make a living doing it. You don't have a lot of options in Indiana anyway, though, so I didn't want to stay there. I graduated early and worked a bunch of really odd jobs, and then I joined the Marines.
I’m just being myself. There is not an ounce of me that believes any of that crap that they say. We can’t be feminine and be feminists and be successful? I want to be a f-king feminist and wear a f-king Peter Pan collar. So f-king what?
I'm always writing. A friend of mine once said, 'You avoid re-writing by writing.' Which is kind of a good point, because re-writing seems to be mostly about craft, and writing is just, like, getting out your passion on a piece of paper.
I started writing my own plays, and I would sell out, but after everything was said and done, I'd break even. That's being successful.
The lion cares less about being king of the beasts than about finding his dinner.
To all appearances the artist acts like a mediumistic being who, from the labyrinth beyond time and space, seeks his way out to a clearing. If we give the attributes of a medium to the artist, we must then deny him the state of consciousness on the aesthetic plane about what he is doing or why he is doing it. All this decisions in the artistic execution of the work rest with pure intuition and cannot be translated into a self-analysis, spoken or written, or even thought out.
It's immoral that people make money out of writing crap, but I try not to obsess about it. I don't want to spend my life being angry.
I tried my hand at writing, I tried to write out a little script - and it's not too bad. Mostly, though, it let me understand how incredibly difficult that job is. I can't even imagine doing it on a weekly basis for a series in any way. That's tough. I think I'll try to leave that to smarter people than me.
I started writing plays in around 1967, and at a certain point, I thought, 'I'm writing plays, I should learn about acting and what it is.' So I went to the HB Studio in New York, and I was there for about nine months.
Even though I was performing all the time as an actress and I was doing all of these plays as a kid, there's a vulnerability about being a musician that you don't get [when] you perform somebody else's work.
It's funny, because even though they're rattling on about the Games, it's all about where they were or what they were doing or how they felt when a specific event occurred. . . . Everything is about them, not the dying boys and girls in the arena
Make no mistake, the organizations website counsels. You will be writing a lot of crap. And thats a good thing. By forcing yourself to write so intensely, you are giving yourself permission to make mistakes. To forgo the endless tweaking and editing and just create. I am not the first person to point out that writing a lot of crap doesnt sound like a particularly fruitful way to spend an entire month, even if it is November.
Woodie King Jr., in 1970, had started a company called the New Federal Theatre, which was ensconced at the Henry Street Settlement. I did a number of plays there, and I auditioned each time. The plays were mostly new. New York was very fertile ground; there was a plethora of African-American plays being done.
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