A Quote by Erika Christensen
Love scenes feel very mechanical. But our whole job is to make it look real.
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I think it's more normal to make a movie dealing with love, sexual or not, than to make movies about bank robberies, which very rarely happen in real life. So I would say the problem is not what some people feel is normal, I would say the problem is why this whole industry is far more obsessed with filming scenes of dominance, guns, invasion.
The secret is to find what you love to do.I mean, I tell the students look for the job that you would take if you didn't need a job. I mean, it's that simple. And I was lucky enough to find it very early in life. And then the second thing is to have people around you that make feel good every day, and make you a better person than you otherwise would be.
I paint mostly from real life. It has to start with that. Real people, real street scenes, behind the curtain scenes, live models, paintings, photographs, staged setups, architecture, grids, graphic design. Whatever it takes to make it work.
The point of my job is to entertain and make it look easy, so I guess it's the parts you don't often see which make me feel proud. All the behind the scenes work, the fears and insecurities I have to face and overcome to improve myself as a person and performer, all of the people who believe in me and encourage me.
I love that men like to look at women, that they love sports, that they need to know the inner workings of mechanical objects. I love the whole makeup of men - that they never mature and are always just boys.
Intimate scenes or a kiss is a very technical aspect of filmmaking. It is extremely mechanical.
I know there are a lot of people who like to get very involved in their characters, but I, personally, find it too involved. I just like to do it as a job - and it's my job to make it look real.
I come from a school of people, folk singers, and the tradition there is troubadours, and you're carrying a message. Admittedly, our job is partly just to make you boogie, just make you want to dance. Part of our job is to take you on a little voyage, tell you a story.But part of our job is to communicate the way a town crier did: It's 12:00 and all is well, or it's 11:30 and the whole Congress is sold. It's part of the job.
I'm really blessed. I love my job. Love going to work. I just love it. I love getting it, I love preparing for it. I love the whole process. I love the whole ritual. I'm really very lucky. Lucky girl.
Cute's good. But cute only lasts for so long, and then it's, 'Who are you as a person?' Don't look at the bankbook or the title. Look at the heart. Look at the soul. When you're dating a man, you should always feel good. ... You shouldn't be in a relationship with somebody who doesn't make you completely happy and make you feel whole.
The third doorway is the Doorway of Unconditional Self-love, which corresponds to the energy center located in the solar plexus area. As I said earlier, the key to feeling love and living in love is having self-love. I mean real unconditional self-love, not "I love myself because I'm a good wife" or "I love myself because I do a good job at work" or "I love myself because I look a particular way." It's because I love myself no matter what. That's where our real power lies, in the ability to love ourselves unconditionally.
My job, and that's my job, is to dress the naked truth. To make it interesting, to make it viable, to make it seem like something you understand and feel and love.
No matter what the job description says, your real job is to make the boss look good.
Divide in yourself the mechanical from the conscious, see how little there is of the conscious, how seldom it works, and how strong is the mechanical - mechanical attitudes, mechanical intentions, mechanical thoughts, mechanical desires.
The very dull truth is that writing love scenes is the same as writing other scenes - your job is to be fully engaged in the character's experience. What does this mean to them? How are they changed by it, or not? I remember being a little nervous, as I am when writing any high-stakes, intense scene (death, sex, grief, joy).
I think there are a lot more relationship scenes in my movies that people tend to overlook. A lot of scenes really feel real and are about the characters.
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