A Quote by Erika M. Anderson
I like messing up the song, doing some improvisation. And I like running around the room with the mic.
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I'm no longer beholden to the sacredness of the recorded song as some kind of ultimate standard by which every performance of the song is measured. I like to diversify, that there are multiple versions of every song. And the songs incorporate a lot of improvisation, and an element of chance, and I think that's exciting. There's no one true formulation of a song, they have various manifestations depending on the space we're in. I like that.
I just feel like a kid that has some money now, that can take care of my family... I think I'll always be a kid. I'm always messing around, always running around, always trying to have a good time.
I like the idea that within the structure of the song, some kind of built-in improvisation keeps them fragile and in their moment, so that I'm not projecting so much, so that my perception of the song doesn't interfere with what its real body is. Sometimes it's like telling a story that I heard in passing, and I don't want it to become completely mine.
And I like messing around in the engine room of music. Seeing what happens in the rhythm section area.
I remember being a little kid sitting in the living room with my brother and some friends from around the neighborhood, and I would sit at the piano and as they were running around the room doing different things and being silly, acting out, I would actually play the score for it - the music that went along with it.
I make make music in my own time, messing around with beats and riffs I write. Always practicing performing in my room most times I probably look like an idiot dancing around haha.
When I was nine, ten, I was super young, but I installed a program on my computer so I could start producing music. I just started messing around. Then, after a couple of years, I got better. I actually learned some tricks, so I knew what I was doing instead of just messing.
I got a few marriage proposals in my 20s. I just wasn't ready. I just knew if I committed, I would've wound up doing something wrong, messing it up. I still felt like I had some living to do.
I remember doing stand-up at an open mic a long time ago, and the MC was like, 'Who's next?' I said, 'Marietta Sirleaf,' and he was like, 'What?' And I was like, 'Ugh, okay, just Retta.' It stuck with me ever since.
I tend to gravitate towards the great rock-and-roll front men, the guys that are very "bare bones." I like Bono, I like Chris Martin(Coldplay) and I like the running around. I think they are amazing at it, but I think that there is something great about a guy that can captivate a room, and very little movement and running everywhere.
There's the 7-year-old me that pretended to be Wonder Woman running around the schoolyard. Like, what an incredible thing to imagine that when the bully shows up or the villain, you would be strong enough to do something about it. But, also, you look like Lynda Carter while you're doing it - like, 'Oh, my God.'
I start my process hand written, and then I dump it in. It's like you're getting a second draft 'cause when I put it in the computer, I fix it and change stuff. That's my process. I picked that up from speaking to Neil Gaiman and Joe Hill. I was messing around with the idea of starting to write more, writing a book and doing things like this, and I reached out for advice. They were like, "Oh, we hand write, and then we dump it all in." I was like, "Great! There's no more blank pages."
When I go into a room to write, it's like I'm not trying to say, 'I need to write a song that sounds like Eric Church or Jason Aldean.' I just try to get the best song that's in the room that day. Whatever style or sound that may be, I'm not afraid to attack it at that angle.
When I was growing up, I was running around; I was a little tomboy. So I was just running around trying to be an athlete and trying to reenact things from TV, but I wasn't really into reading comic books or anything like that.
I don't like messing up. I think that's just a part of my personality. I don't like to mess up or do anything wrong. When I'm in gymnastics, I like to see my hit percent as high as possible.
For me anyway, until I was exposed to doing improvisation and walking onto a stage without any script, I would have never felt comfortable enough to walk into a room with someone like Larry David and audition.
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