A Quote by Erika M. Anderson
I don't want to be in my 'interview zone' mode. I've been doing a lot of interviews and I'm very self-aware of how I'm coming across.
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If you're coming to do an interview with me, you should know about me. It's not that it's 'cos I'm Wizkid; I'd even hate it if you were coming to interview my friend and asked him the same question. You're here for an interview, so you should know who you're doing the interview with.
My work with Patriot Voices actually dovetails very well into the work I'm going to be doing with EchoLight. I'll be traveling around the country, doing a lot of radio interviews, a lot of media interviews, so I don't see that as all inconsistent.
I want to say that what is cool about writing self-aware first person narrative is that the awareness is not necessarily the same awareness of the reader. I have a story coming out in the Paris Review and it's about a hipster. He think's he's self-aware, he's very introspective and analytical, but when you're reading it you can totally see through his self-analysis because you have a higher awareness than he does. I like playing with that too.
When I first started doing press interviews, the big question was, 'Do you think women are funny?' People would ask you that in an interview. In an interview! It's like, of course they are.
There's something a lot more self-conscious feeling when there's cameras coming in for close-ups. It makes you very aware.
I guess the best advice I ever got or anyone could get for doing a talk show, though it has not been easy very often, was from Jack Paar, who said, 'Kid, don't make it an interview. Interviews have clipboards, and you're like David Frost. Make it a conversation.'
In standup, you don't have anything near you except a microphone. There's something a lot more self-conscious feeling when there's cameras coming in for close-ups. It makes you very aware.
Our whole life is a fooling around. You can do it because you are not aware of how you waste time, how you waste energy - how life is wasted you are not aware. It is going down the drain. Everything is going down the drain. Only when death comes to you, you may become aware, alert: What have I been doing? What have I done with life? A great opportunity has been lost. What was I doing fooling around? I was not sober. I never reflected upon what I was doing.
It's what Kitty Carlisle said in her book: Don't interview people about what they do, interview them about what they love. I want my interviews to come out of the side pockets.
Self-awareness is a character trait that's horrible to have if you're a performer. I think that a lot of these performers that we see get up on stage and play music, there's a sense of them truly not caring how they're coming across. They are just themselves. I look up to a lot of people who are like that.
I've done so many interviews that I've gotten past the ego and the personality. I used to feel that there might be something missing, but a few years ago I realized that I was so causative over how the interview went that I was no longer concerned over the effects of the interview.
Do you know when you cross against traffic? You look down the street and see a car coming, but you know you can get across before it gets to you. So even though there’s a DON’T WALK sign, you cross anyway. And there’s always a split second when you turn and see that car coming, and you know that if you don’t continue moving, it will all be over. That’s how I feel a lot of the time. I know I’ll make it across. I always make it across. But the car is always there, and I always stop to watch it coming.
I started doing cocaine to get through interviews, 'cause people wanted to know a lot about my personal life and I wasn't prepared for a 60 Minutes interview every time. Doing bumps I was able to get through the day, but then I would smoke weed to calm me down - it was the only way I could get through the day without people noticing I was doing it.
Even though kids may have planned for months for the trip to Disneyland, some may be feeling very homesick, very forlorn, or very marginalized by the group. Your capacity to perceive those kinds of situations and respond to them in a pastoral way is the stuff you are teaching. And even though the kids may appear to be ignoring you, they are very aware of what you are doing and how you are doing it. They are also very aware of what you are missing and not picking up on.
Honestly we never lied to people about who we were. Usually the wackier interviews came to pass because the interview subjects, aware that we were Comedy Central, just wanted to get their stories out.
I do believe it's possible to play a lot without overplaying. It's when a musician becomes too self-centred that it becomes problematic. You need to be aware of how what you're doing is affecting everyone else, and that's something young musicians often forget. Playing in a band is a shared experience. It's about what everyone is doing together.
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