A Quote by Erika Slezak
If you have ever been in a real tragic or sad situation, the words that come out are hopelessly inadequate and kind of cliched.
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We have real cliched ideas of what prison life is like. It is not a happy place. It's a desperate, sad situation.
The 'Beacon Street' record was kind of like a b-side to 'Tragic Kingdom,' but it came out before 'Tragic Kingdom,' so it's a weird situation.
What politician ever thinks beyond 4 or 5 years? But such thinking is hopelessly inadequate for the big questions that involve the fabric of the world we live in
Anger is not a real feeling. Every time in my life I've ever been angry, it's because I was scared, or because I was sad and I didn't know it. Anger doesn't just come out of a vacuum.
I've been asked several times since the book Love and Trouble came out, "Are you still sad?" And I'm not, not in the way I was before. I do feel like it was a season in hell that I passed through. But now I'm in despair and sad and confused every day because of our political situation. So the question is: Is it harder or easier to be sad with a reason?
I started realizing that one of the great things about opera is that if you make the right kind of story, you can still have this kind of abstract subliminal quality to take you on a journey, but you can root it just enough in a particular situation, a particular kind of real situation that a person might have, or a particular context in the real world.
We were making 'Tragic Kingdom,' and we were kind of battling with the record company. It was just being drawn-out, in the same kind of situation where we were all working, we all had jobs, we were going to school.
I know our feelings can be so unbearable that we employ ingenious strategies – unconscious strategies – to keep those feelings away. We do a feelings-swap, where we avoid feeling sad or lonely or afraid or inadequate, and feel angry instead. It can work the other way, too – sometimes you do need to feel angry, not inadequate; sometimes you do need to feel love and acceptance, and not the tragic drama of your life. It takes courage to feel the feeling – and not trade it on the feelings-exchange, or even transfer it altogether to another person.
Real tragedy is never resolved. It goes on hopelessly for ever.
Since my first dive in a deep-diving submersible, when I went down and turned out the lights and saw the fireworks displays, I've been a bioluminescence junky. But I would come back from those dives and try to share the experience with words, and they were totally inadequate to the task. I needed some way to share the experience directly.
It is very sad about Michael Jackson, much as in the tragic cases of Heath Ledger, Anna Nicole and other celebrities who have died are a result of drugs. It is always sad when such a bright light goes out.
Whereas the comic confronts simply logical contradictions, the tragic confronts a moral predicament. Not minor matters of true andfalse but crucial questions of right and wrong, good and evil face the tragic character in a tragic situation.
The names for things don't come first. Words stagger after, hopelessly trying to become the sensation.
In San Paulo I went to the movies and by the time I left the theater there was a mob at the exit. I had never been in that kind of situation when we weren't on tour and there was a whole bunch of security. I'm a little dude, and out of nowhere to have 50 or 60 people come running towards me when I'm jut with my friend, it was kind of scary.
Kind hearts are the gardens, Kind thoughts are the roots, Kind words are the flowers, Kind deeds are the fruits, Take care of your garden And keep out the weeds, Fill it with sunshine, Kind words, and Kind deeds.
The teenage pregnancy is such a tragic thing. It is such a sad and tragic thing because the children who have children do it because they think they are going to be loved. They are going to be loved, but they have to give love to be loved otherwise the child becomes depressed. Isolated and depressed. In other words apathetic.
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