A Quote by Erin Daniels

No, Not even remotely...Because I don't care. I don't pick roles based on how famous they are going to make me, I pick roles based on how they're going to inspire me intellectually.
I don't pick my roles based on what clothes I have to wear. I pick roles because of the character I have to portray, and the public have enjoyed seeing me in those roles.
If I'm not comfortable in my own skin or confident in who I am, then I'm going to pick parts based on how people are going to view them, not based on what I find challenging or entertaining.
We are in an industry where, unfortunately, there is very limited scope for female-oriented roles. If we don't have options, how can we pick and choose roles?
You can not make me pick between my roles! That is like making me pick between my children!
I don't believe a role can be written keeping in mind some actor. Even if such roles exist, I don't pick them because I generally choose roles that I think will suit my image.
Pretty much everything that I pick, when it comes to choosing roles, is just based on things and materials that grabs me. It's pretty much the subject matter that I gravitate towards.
In the kind of films offered to me, I don't even get the role of a city-based college girl. How do I let people know I can do sophisticated, contemporary roles, too?
It is hard enough to make a plan for how you are going to spend an evening with somebody else. So to make a plan for how you are going to behave in 25 years seems based on a view of life that is incomprehensible to me.
There are definitely a lot of roles I didn't get based off of the way I look, but I'm not going to let that stop me. I'm going to write stories for myself or work with filmmakers who want to tell stories about real people.
You don't want to really pick on someone that you genuinely like. In terms of 'Billy on the Street,' there are certain actors - I don't care if they find out because I do feel that way. Though it's almost never about appearance or something out of their control. I pick on choices they've made or roles they've taken.
Before I started (college), that's the advice my dad gave me. He said to pick classes based on the teacher whenever you can, not the subject...his point was that good teachers are priceless. They inspire you, they entertain you, and you end up learning a ton even when you don't know it.
So now I feel I'm lucky in the respect that I can sort of pick a little more carefully, which is tricky because as a black actress, there aren't that many roles to pick from.
Now I've probably got to be more aggressive and pick up where [Marbury] left off, but I'm just going to take it how it comes. I'm not going to force it. I'm going to let the game come to me.
People say to me, 'You seem to have made this conscious decision to do independent films'. In reality, I haven't. After each movie, I always think, 'how different can I possibly be? Is this going to challenge me, is this going to inspire me, and is this going to make me love my job more than I already do?'
Theater roles are written by the great masters. The greatest literature that you can possibly know are the theater roles like King Lear, Hamlet, and all of those great roles. So all you do is you dive into these unchallenged roles and see how far you can get, what kind of accolades you can get, and how good you can be in them. In movie roles, you can actually improve them by knowing a lot about your own stage technique, which helps a great deal in the cinema and how you can project inner humor even though the particular dialogue is not necessarily funny, but you can infuse it with humor.
I don't care if I'm drafted one, five, 72, or last pick. I'm going to come in with my head low, ready to work, and that is not going to change me. That's why, whatever team drafts me, you're going to get the same person, the guy that is going to be a competitor, a guy that is passionate about the game.
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