A Quote by Erin Gruwell

Writing is powerful. Whether it's a little girl hiding from the Nazis in an attic, or Amnesty International writing letters on behalf of political prisoners, the power of telling stories is usually what causes change.
There are several dozen political prisoners in Russia. When I cite that number people are often very surprised. They often think there are more. Well - there are hundreds of thousands of people who haven't had a fair trial, who are victims of the political system. But in the Amnesty International sense of the word, most of them are not political prisoners because they are not going to prison for protesting.
In my role as a spokesperson for Amnesty International U.S.A. and as a supporter of various charitable causes including Unlock Iran, a campaign to release prisoners of conscience in Iran, I have never been faced with the threat of intimidation or arrest.
In writing, I want to be remembered for telling good stories in beautiful and powerful language, using the poetry of words to reflect the thematic concerns of compelling stories.
All my writing-life people kept telling me that I should stop writing short stories and start writing novels: my agent, my Israeli publisher, my foreign ones, my bank manager - they all felt and keep feeling that I'm doing something wrong here.
I see caring for somebody as a creative outlet. I like drawing little faces and writing little stories and hiding them in places. I don't think it's that hard to be thoughtful, especially when you do care about the person.
So what comes naturally to me is writing lyrics and writing songs and telling stories.
My greatest strength as a writer is that I'm a storyteller. But, it was a long, hard struggle for me to make the transition from verbally telling stories to writing them. You'll note I don't dwell on descriptions in my writing, because I'm far more interested in telling the story. There are many better writers in this world, but you'd be hard pressed to find anyone more passionate about stories than I am.
Writing wasn't about making money. I wanted to find fulfillment in writing and telling stories, and that's what's driven me.
You learn by writing short stories. Keep writing short stories. The money's in novels, but writing short stories keeps your writing lean and pointed.
I've been writing short stories since I was a little girl.
I like writing letters and receiving letters. It's a shame that we've lost the art of letter-writing and saving correspondence. I mourn that.
Writing is writing. It is all about telling stories, and I've been doing that for so long, in all realms, that it all feels like the same thing to me anyway.
Writing objects to the lie that life is small. Writing is a cell of energy. Writing defines itself. Writing draws its viewer in for longer than an instant. Writing exhibits boldness. Writing restores power to exalt, unnerve, shock, and transform us. Writing does not imitate life, it anticipates life.
Of course, no state accepts [that it should call] the people it is imprisoning or detaining for political reasons, political prisoners. They don't call them political prisoners in China, they don't call them political prisoners in Azerbaijan and they don't call them political prisoners in the United States, U.K. or Sweden; it is absolutely intolerable to have that kind of self-perception.
For in Calormen, story-telling (whether the stories are true or made up) is a thing you're taught, just as English boys and girls are taught essay-writing. The difference is that people want to hear the stories, whereas I never heard of anyone who wanted to read the essays.
When I was writing stories about Chinese American characters in my fiction classes, I'd get comments like, 'You should consider writing more universal stories.' But anything can happen to a Chinese American girl - just as much of the canon of English literature involves white men or women.
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