A Quote by Erin Morgenstern

"I am already married," she remarks to the empty air, twisting the ring on her right hand that covers an sold, distinctive scar. — © Erin Morgenstern
"I am already married," she remarks to the empty air, twisting the ring on her right hand that covers an sold, distinctive scar.
Oh, I am getting married," Raisa said sleepily. "You promised me that if I agreed to marry you, that you would make it happen." She extended her hand, the one with the ring Han had given her, and waved it under his nose. "So. It's time to pay up.
Simon had never noticed before, but she wore a silver ring on her right hand, with a partner of flames around the band of it, and a carved L in the center. It reminded him of the ring Clary wore around her neck, with its design of stars. "It's the Lightwood family ring," she said, noticing where his gaze was fixed. "Every family has an emblem. Ours is fire.
She had this dark cancer water dripping out of her chest. Eyes closed. Intubated. But her hand was still her hand, still warm and the nails painted this almost black dark blue and I just held her hand and tried to imagine the world without us and for about one second I was a good enough person to hope she died so she would never know that I was going, too. But then I wanted more time so we could fall in love. I got my wish, I suppose. I left my scar.
Or had she always loved him? It's likely. Restricted as she was from speaking, she wanted him to kiss her. She wanted him to drag her hand across and pull her over. It didn't matter where. Her mouth, her neck, her cheek. Her skin was empty for it, waiting.
The center stone on my ring is the diamond from my mom's original engagement ring. My parents have been married 25 years! My dad bought her a new ring a while back, so she kept her original diamond to pass down to me or my sister someday. It is so special having an heirloom ring because I will get to pass it down one day, too.
She lifted up her hand and from the ring that she wore there issued a great light that illuminated her alone and left all else dark. She stood before Frodo seeming now tall beyond measurement, and beautiful beyond enduring, terrible and worshipful. Then she let her hand fall, and the light faded, and suddenly she laughed again, and lo! she was shrunken: a slender elf-woman, clad in simple white whose gentle voice was soft and sad.
Will you wear my ring so all the world knows yer mine?" Beck wasn't asking for her hand in marriage, but it was so close he might as well be. Riley was deeply touched and she struggled to find the right words. "Yes," she began. "I'd be proud to.
On his first hand he wore rings of stone, Iron, Amber, Wood and Bone. There were rings unseen on his second hand, One was blood in a flowing band, One was air all whisper thin, And the ring of ice had a flaw within. Full faintly shone the ring of flame, And the final ring was without name.
I have a lot of scars, man. My mother said that a man is not a man unless he has a scar on his face. And what she meant by a scar was some kind of battle that you had to go through, whether it was psychological or physical. To her, a scar was actually beautiful and not something that marred you.
What I really tried to do with Helen was make her show this sad side of her. She was married off at 16, was so young and living in this castle that can't leave because of how she looks, and married to a man she hates and three times her age.
That's what my mother did. And my father was the first person she'd met who treated her kindly. She was terrified of men, and she married a very meek, kind, dear man. And she had the upper hand. She ruled the roost.
Rich and rare were the gems she wore, And a bright gold ring on her hand she bore.
When he nodded, the physician disappeared into thin air, and then a moment later, Payne felt a warm palm encompass hers. It was Vishous's un-gloved hand against her own and the connection between them eased her in ways she couldn't name. Verily, she had lost her mother . . . but if she lived through this, she still had family. On this side.
And she loved a man who was made out of nothing. A few hours without him and right away she’d be missing him with her whole body, sitting in her office surrounded by polyethylene and concrete and thinking of him. And every time she’d boil water for coffee in her ground-floor office, she’d let the steam cover her face, imagining it was him stroking her cheeks, her eyelids and she’d wait for the day to be over, so she could go to her apartment building, climb the flight of stairs, turn the key in the door, and find him waiting for her, naked and still between the sheets of her empty bed.
Even at the age of eight she would fall asleep by pressing one hand into the other and making believe she was holding the hand of the man whom she loved, the man of her life. So if in her sleep she pressed Tomas hand with such tenacity, we can understand why: she had been training since childhood.
From the first time he'd met her, he'd sensed an air of contradiction about her. She was very much a woman, but still retained a waiflike quality. She could be brash, and at times deliberately suggestive, yet she was painfully shy. She was incredibly easy to get along with, yet she had few friends. She was a talented artist in her own right, but so self-conscious about her work that she rarely completed a piece and preferred to work with other people's art and ideas.
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