A Quote by Erin Morgenstern
I do not like sitting idly by when something clearly isn't right. I feel... not trapped but something like it, and I don't know what to about.
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I just feel really good about my accomplishments. I haven't had, like, a party because a deal goes through or something like that. I don't know. I need to develop that - I need to have something that I do when things go right.
I don't like to have a bad time. I like to have fun with everything. I don't like feeling nasty, I like positive energy. So if we're all sitting in the car and it's quiet, I have to do something to make it unquiet and laugh or something - I just have to do something cool.
I'd like to not have to worry about image, about doing the right thing all the time. Not that I want to be a criminal or anything. I'd like to be able to do something wrong and not feel the whole world will know.
When I'm on the court, I feel at peace, really. It feels like my home. I'm always thinking of something creative to do, like trick shots or something like that. It's just something about the basketball court that touches me; it makes me feel like nothing is wrong on the court.
Each painting, I feel like I kind of might have gotten something. If I feel like I totally got it, there's probably something wrong and it's not finished. And if I really feel like I understand it then I'm done with these paintings and I'll have to do something else.
You know when you're doing something right and when you're doing something wrong. As long as you feel like you're doing something right, and you're getting rewarded, then you're successful. But, if you're judging it on, Well, if I had that, I'd be successful - that doesn't work. I think doing what you love is success. Pretty cheesy. But it's true.
When I hear my favorite songwriters write about things they clearly have not experienced, like "Isis" by Bob Dylan or a lot of Bruce Springsteen songs or something like that, I'm always like, "Man, how do I tap into that?" Every time I tried to do something that wasn't autobiographical I felt pretty phony.
I always feel secure. I can't be a pure actor if I feel insecure. I can't let other things take over my love for acting. For me, it's a giving art. It is not something which I am doing for myself. I am doing it for my co-actors, unless it is something like 'Trapped'.
I never feel like I'm in a rush. I'm controlling the pace. If I have the ball and hit the hole right now and get 3 yards, I feel like I can be patient, work for something, knowing I can still get the 3. It's something that's hard to be coached on. I just feel I've perfected it over time.
I just feel like there's something to be said about feeling comfortable with what you have and don't have. And - for instance, I don't think I'm particularly a great singer, but I feel like I write songs that complement my voice, you know, and I feel like it's unique. And I don't feel like I'm particularly a great actor, for instance, but I feel like I approach each thing that I do with some level of sensitivity. And I would say that comedy in general is the most disarming.
And also, I'm most comfortable with like two people just sitting and talking about their feeling, you know, in a room with like two cameras and that's it. And I wanted to do something where there was like action and running and you know crowd scenes and big set pieces and certainly did a lot of that, so yeah.
We are literally like sisters: you know their ins and outs; you know if something is on their mind, that something's bugging them. We know when something is going wrong, and that instinct you can feel instantly.
I always look for projects that are risky and ones that want to do something unique. If audiences don't like it, you feel good knowing that you were brave enough to do something original. If they do like it, you feel like everyone is rewarded, because we all got to see something new.
There was something about the music on that tape. It felt different. Like, it set her lungs and her stomach on edge. There was something exciting about it, and something nervous. It made Eleanor feel like everything, like the world, wasn't what she'd thought it was. And that was a good thing. That was the greatest thing.
I'm trying to figure myself out through my movies. Whether it's big stuff like what we're doing here, or little stuff like, 'Why aren't I happier?' With every film I feel like I'm apologising for something. I feel I'm most successful when I'm looking for something that embarrasses me about my character that I'd like to expose.
I'm trying to figure myself out through my movies. Whether it's big stuff like what we're doing here, or little stuff like why aren't I happier? With every film I feel like I'm apologising for something. I feel I'm most successful when I'm looking for something that embarrasses me about my character that I'd like to expose.
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