A Quote by Erin Morgenstern

There is a movement happening, a quiet one. A low-profile, low-resolution revolution. Comprised of writers and dreamers, of guerrilla artists and thought-ninjas. Those with something to say. They communicate through text inscribed on true public spaces, rather than blogs and forums. Choosing fewer words, even without being bound by 140 character limits. Using ink instead of pixels. Sending messages in living, breathing space. Pens scream louder into the void. Even if permanent ink is not aptly named.
T I was doing Predators, this new movie for FOX simultaneously, and this character that I play in the movie is "Walter Stands," and I had a plethora of ink all up and down my skin.Once you have ink on your body, how it informs you as an actor, and you kind of get in that space and occupy that space of that character, when you're without them, when I'm just Walton Goggins in the world and I'm without my tattoos, I feel a little naked.
To the composition of novels and romances, nothing is necessary but paper, pens, and ink, with the manual capacity of using them.
I am utterly opposed to all equivocation or obscure expressions in our public acts. We are bound to say plainly what we mean to say. If we mean negotiation and compromise, let us say it distinctly and plainly instead of sending to the President a resolution on which he may put whatever interpretation he pleases.
People worry about Twitter. Twitter is banal. It's 140-character messages. By definition, you can hardly say anything profound. On the other hand, we communicate. And, sometimes, we communicate about things that are important.
[Our lab uses] a desktop inkjet printer, but instead of using ink, we're using cells.
It seems to me the book has not just aesthetic values - the charming little clothy box of the thing, the smell of the glue, even the print, which has its own beauty. But there's something about the sensation of ink on paper that is in some sense a thing, a phenomenon rather than an epiphenomenon. I can't break the association of electric trash with the computer screen. Words on the screen give the sense of being just another passing electronic wriggle.
The distinguishing trait of people accustomed to good society is a calm, imperturbable quiet which pervades all their actions and habits, from the greatest to the least. They eat in quiet, move in quiet, live in quiet, and lose their wife, or even their money, in quiet; while low persons cannot take up either a spoon or an affront without making such an amazing noise about it.
Interesting, isn't it, that even though more than two and a half decades have passed since the sexual revolution brought women a new measure of sexual freedom, there's still no word in the language that doesn't reek with pejorative connotation to describe a woman who has sex freely. Since language frames thought and sets its limits, this is not a trivial matter. For without a word that describes without condemning, it's hard to think about it neutrally as well. When we say the words 'promiscuous woman,' therefore, it's a statement about her character, not just her sexual behavior.
That's why writers write—to say things loudly with ink. To give feet to thoughts; to make quiet, still feelings loudly heard.
I use a quill pen dipped in India ink. I also like Faber-Castell brush pens and Pigma Micron pens. And I work on Duo-Shade board.
A guy said to me one time, something really profound, and it's so simple. It's that depression lies. It's a liar and you have to shut it down. There is nothing that alleviates it more than going out and doing something for someone else. It's almost like instant healing. Get away from yourself. People can't even get out of bed and it gets really severe. I've never been at that stage. Everyone goes through low and high and low and high and some people are blessed to be created on an even keel all the way through - but not me.
What is the character trying to say? Why? Be as specific as you can, using sense images that evoke something about the character. Try using the character's senses, even if the character is you.
Who does not see that I have taken a road along which I shall go, without stopping and without effort, as long as there is ink and paper in the world? I cannot keep a record of my life by my actions; fortune places them too low. I keep it by my thoughts.
Zen, on the other hand, is not so dogmatically sterile, though there are certainly traces and more than traces of this austerity. However, with Zen we have not only the void, but the fertile void. The ink lines in a sumi-e painting show this fertility of the void ever ready to brim over into existence.
It's a little challenging as a congressman to keep a low profile, but I try very hard to keep a low profile.
A multitude of words doth rather obscure than illustrate, they being a burden to the memory, and the first apt to be forgotten, before we come to the last. So that he that uses many words for the explaining of any subject, doth, like the cuttle-fish, hide himself, for the most part, in his own ink.
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