A Quote by Erin Morgenstern
Writing in a near frenzy is wonderful and freeing, but for me, it did not result in a nice, shiny novel. Instead, what I have is a mess.
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Writing in a near-frenzy is wonderful and freeing but, for me, it does not result in a nice shiny novel. Instead what I have is a mess.
It was only after two years' work that it occurred to me that I was a writer. I had no particular expectation that the novel would ever be published, because it was sort of a mess. It was only when I found myself writing things I didn't realise I knew that I said, 'I'm a writer now.' The novel had become an incentive to deeper thinking. That's really what writing is—an intense form of thought.
I got into my usual obsessive writing frenzy, using all the material I'd worked on for so long and crafting it into a little novel [Bridget Jones's Baby: The Diaries].
Writing a novel is so hard, and there are so many problems that the last thing you're thinking about is adapting this mess you have on your hands as a movie. You just want to get it to work as a novel. That's your main focus.
I cannot function if there is a physical mess around me. If everything is falling apart, I go on a cleaning frenzy.
Objectifying your own novel while writing it never really helps. Instead, I guess while you're writing you need to think: This is the novel I want to write. And when you're done you need to think: This is what the novel I wanted to write feels like and reads like and looks like. Other people might call it sweeping or small, but it's the book you chose.
Writing the novel felt so private to me! I think publishing a novel is quite public and exposing, and what's a little frightening to me right now is the fact that it feels so entirely opposed to the privacy that is writing.
Writing music is such a freeing exercise, and it's really nice to play in that world of being confident, vengeful - getting back at all the bad boyfriends.
Instead, we did take our eye off the ball. We decided, instead of finishing the job in Afghanistan, to go into Iraq. And today, unfortunately, if you look at the situation on the ground, it is a mess.
Life has played some funny tricks on me and taken me on a wild ride. How did I ever get into this wonderful mess that is my life?
If I'm writing a novel, I'll probably get up in the morning, do email, perhaps blog, deal with emergencies, and then be off novel-writing around 1.00pm and stop around 6.00pm. And I'll be writing in longhand, a safe distance from my computer. If I'm not writing a novel, there is no schedule, and scripts and introductions and whatnot can find themselves being written at any time and on anything.
I didn't feel the need for anonymous affection, for people in the dark applauding. To me, it would be like writing a novel and then getting up every night and reading your novel. Everything I did is on the record and, if you want to hear it, just listen to the record.
For me, writing a novel is like having a dream. Writing a novel lets me intentionally dream while I'm still awake. I can continue yesterday's dream today, something you can't normally do in everyday life.
It would be nice if areas could be revitalised - like places in the U.S. such as Pittsburgh, for example, which have been transformed through shale. There you have shiny cars in a shiny city because of the development of shale in an old industrial heartland.
I think a construction project for me is like writing a novel. I can't do the project unless I can envision sort of the whole structure and see what the end result might be.
In 2011, I did an internship in Seven Dials, a junction in London where seven roads come together. I'd given up on writing after multiple rejections for my first novel, and I was starting to consider a career in publishing instead, but Seven Dials gave me such a strong idea for a setting that I couldn't resist picking up my pen again.
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