A Quote by Erin Morgenstern

I am a fan of magic and fantasy, particularly when it's grounded in reality. — © Erin Morgenstern
I am a fan of magic and fantasy, particularly when it's grounded in reality.
People frequently believe the creative life is grounded in fantasy. The more difficult truth is that creativity is grounded in reality, in the particular, the focused, the well observed or specifically imagined.
My idea of a good fantasy is something that's absolutely grounded in reality. And there's a little element that doesn't belong there - and that's the fantasy element - that you have to react to and deal with in a completely real way.
For me, a great fantasy is real people, a world I recognise, human struggle and magic. You've got to have magic to make a fantasy work. But I like my magic to be subtle. I don't want magic coming out of the hands of wizards. I want it to be pervading, sinister somehow.
The reality, or substance, of professional wrestling is the ability to perpetuate a fantasy. I never distinguished between fantasy and reality. I made my fantasy reality for over 60 years.
I am, of comics I was never as big of a fan as I probably could have been I suppose but I'm definitely a fan of science fiction fantasy. My interests were in fantasy more than comics growing up.
One of the things that Teller and I are obsessed with, one of the reasons that we're in magic, is the difference between fantasy and reality. That is the subject that, if you have a brain in your head, is always dealt with in magic. The smarter the tricks you're doing, the more that' s an important thing.
I always try to have my supernatural or fantasy elements feel grounded in reality so they're easier for the reader to accept and digest.
Growing up, I didn't really read a lot of comics; we didn't really have the money to get them. But I grew up a universal fan of fantasy and sci-fi and watching a lot of TV. There's always this question of 'Are you a fan of sci-fi or fantasy?' But can't you be a fan of both? We love everything fantasy, my wife and I.
One of the things that Teller and I are obsessed with, one of the reasons that we're in magic, is the difference between fantasy and reality.
Art is magic... But how is it magic? In its metaphysical development? Or does some final transformation culminate in a magic reality? In truth, the latter is impossible without the former. If creation is not magic, the outcome cannot be magic.
The magic that works, to me, is the magic that feels completely grounded and real and tangible.
To work magic is to weave the unseen forces into form; to soar beyond sight; to explore the uncharted dream realm of the hidden reality; to infuse life with color, motion and strange scents that intoxicate; to leap beyond imagination into that space between the worlds where fantasy becomes real; to be at once animal and god. Magic is...the ultimate adventure.
You always start with a fantasy. Part of the fantasy technique is to visualize something as perfect. Then with the experiments you work back from the fantasy to reality, hacking away at the components.
I want all of my films to be grounded in reality, and I think 'Midnight Special' is the most grounded film I've ever made, in spite of its genre.
It's one thing to be a comic book fan, but when you have to create a character and put him in a suit and keep the story grounded in reality, the challenge sometimes is making sure he actually uses his powers.
The way I write things, I just write them with a clash between reality and fantasy mostly. You have to use fantasy to show different sides of reality; it's how it can bend.
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