A Quote by Erin Morgenstern
I'm kind of big on performance in general. I like the sort of entertainment where you can go in and be fully immersed in it.
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My first big career purchase when I was, like, 17 was a Louis Vuitton laptop bag. Now, seeing the exhibit [Louis Vuitton's "Series 3" exhibition in London], it's exciting because I feel like I kind of know it. It's weird - it's almost like something you grow up with and you just know a little bit about it. Now that I'm immersed in it, it's kind of insane.
As an actor, you only get to work 15 minutes an hour; as a director you're fully immersed. It's incredibly more complex and challenging and I love it. I'm sort of a glutton for work and to direct something that I'm acting in feeds the vein.
I've worked with actors before where I was like, this is not working, and then I've seen their work on the screen and I've been like, Wow, that was a really great performance. Because there are a lot of elements with film. It's not like stage. It's not a kind of performance art anymore; it's a highly tuned kind of collaboration - a symphony.
Interactivity is a big part of video games, which have been a big part of entertainment for 20 years. That's what we think of as a 'lean-forward' type of entertainment. It's much more intense. But TV is more of a 'lean-back' entertainment - so the big improvement there is on-demand, because it conforms to your schedule.
It's really up to the acting community to be willing to be educated about what performance capture is in order to fully appreciate it as acting. It's not a type of acting, but rather the use of technology to harness an actor's performance and translate it into an ape, another animal, or an avatar of some kind.
I feel like every time I start up, it's like a truck you have to get into 15th gear, so you very solely crank into that mental space where you feel really immersed in the world of the book and then you can just kind of go.
You know, even big-time academics kind of have groupies. Anyone with any sort of fame. So, like, in your micro-world, or in your niche, you're kind of like a celebrity.
I was fully immersed in the now as an athlete.
It wasn't like this happy-go-lucky experience, shooting Norman movie. It was something I kind of had to, sort of dedicate a certain level of focus and energy to kind of just stay in this headspace that would allow me to access - because it's also a very emotional movie at times. This was the first time I ever played a real character, a fully fleshed out, dimensionalized, multi-faceted character, as opposed to a part. There's not very much opportunity for somebody of my age and my look, so for a character-driven piece like this to come along is a rare thing.
I love showing up and giving a performance without the benefit of a lot of rehearsal or dissection. It's fun to me to act on a kind of instinctual level and go straight for the performance.
In England, we'd leave school at 15 and go on to a college, and I went to further education in a town called Welling Garden City. I fully immersed myself in bohemia there, which included poetry and modern art, jazz, philosophy, social radicalism.
In fact, their eyes sort of roll around and they kind of go, 'Hmm'- like there's something there and they don't want to talk about it. But they're not that kind when they are speaking in public.
I'm kind of an old theater guy, so I'm sort of attuned to it. Like, when I go to New York, I go to plays.
When I write a tune - and it's been like this for many years - I always hear in the back of my head some sort of vague, orchestrated, fully fleshed-out big-band version of the song with other parts going on.
With 'Outlander,' definitely the book fans were at the door, ready to go, as soon as we started. But it felt like it kind of crossed over into more of a general audience rapidly. That did surprise me - I thought it would take longer for general audiences to come around.
I fully immersed myself in the character Sun-sim in 'Miss Lee.'
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