A Quote by Erle Stanley Gardner
It's a damn good story. If you have any comments, write them on the back of a check.
Related Quotes
What I want you to understand, is the full evil of those who claim to have become convinced that this earth, by its nature, is a realm of malevolence where the good has no chance to win. Let them check their premises. Let them check their standards of value. Let them check - before they grant themselves the unspeakable license of evil-as-necessity - whether they know what is the good and what are the conditions it requires.
...You have to pass an exam, and the jobs that you get are either to shine shoes, or to herd cows, or to tend pigs. Thank God, I don't want any of that! Damn it! And besides that they smack you for a reward; they call you an animal and it's not true, a little kid, etc.. Oh! Damn Damn Damn Damn Damn!
When something in art or music piques my interest, I tend to go check it out, and most things I check out, I'm not very good at. But a few things I've gone to check out have given me back as much love as I gave them, usually much more.
Americans are good with to-do lists; just tell us what to do, and we'll do it. Throughout our history, we have proven that. Colonize. Check. Win our independence. Check. Form a union. Check. Expand to the Pacific. Check. Settle the West. Check. Keep the Union together. Check. Industrialize. Check. Fight the Nazis. Check.
I'll write whatever I damn please, whenever I damn please and as I damn please and it'll be good if the authentic spirit of change is on it.
People don't give a damn about you and they don't give a damn about your story and they don't give a damn about your content. They only give a damn that you, your content, your story can bring value to them.
Stop them damn pictures! I don’t care what the papers write about me. My constituents can’t read. But, damn it, they can see the pictures!
Improvise. Write your own damn story.
I write and write and write, and then I edit it down to the parts that I think are amusing, or that help the storyline, or I'll write a notebook full of ideas of anecdotes or story points, and then I'll try and arrange them in a way that they would tell a semi-cohesive story.
To me a good book is like a quiet friend—a friend who’s happy to share thoughts and feelings with you, who’s always there when you need them. Best of all, this friend doesn’t have any secrets. They trust you to understand them. They take you to their innermost places. They share their sensations and emotions—and they let you experience them. Wherever you go and however you feel, they are always by your side. For an hour, a day, a week, or forever, their life becomes yours. Their story is your story. That’s the kind of book I’m trying to write.
If there's an article about sexual assault, if there's a video about feminism on YouTube, you're going to get the most horrible, disgusting comments ever. And sometimes the comments are pornographic, and sometimes the comments are really harassing. So I think that it's kind of a difficult place for women to write sometimes.
Readers re-create any story to suit their own needs. They re-clothe the story in their own shirts. Put simply: just as we write the story we need to write, they read the story they need to read.
I don't really decide what the core of the story is before I write. I write to figure out what the story is. And I think the characters end up talking to you and telling you what they want to be doing and what is important to them. So in some ways, your job is to listen as much as it is to write.
Respect is one of the greatest expressions of love. If other people try to write your story, it means they don't respect you. They consider that you're not a good artist who can write your own story, even though you were born to write your own story.
If the weather is sunny, it is good; if the weather is rainy, it is good; if it is foggy, it is good; if it is stormy, it is good; if it is damn cold, it is good; if it is damn hot, it is good! With a positive attitude of mind, all becomes good!
My mentor Jon Simmons introduced me to the Stanislavski system, which is so heavy on back-story. So you write and write and write these back stories about a character and then you throw it away. So then on set, if it doesn't come, then you didn't do your work.
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