A Quote by Erma Bombeck

All of a sudden, I feel very old and very tired. Maybe when I get to California, the smog, brush fires, floods, and earthquakes will cheer me up. — © Erma Bombeck
All of a sudden, I feel very old and very tired. Maybe when I get to California, the smog, brush fires, floods, and earthquakes will cheer me up.
Nuclear power plants must be prepared to withstand everything from earthquakes to tsunamis, from fires to floods to acts of terrorism.
I've been through WTO riots in Seattle, massive earthquakes, major floods... forest fires. I just try to be as even-keeled and calm as possible.
I'm in the process of working out an arrangement to make some very, very, very small films in the midst of all these films and maybe that will help. But you get tired of talking. You just want to do it.
If you take 67 brush fires times 10 years, that's almost 700 right there. Those brush fires are incredibly dangerous, all those homes going down proved that.
Only a catastrophe gets our attention. We want them, we depend on them. As long as they happen somewhere else. This is where California comes in. Mud slides, brush fires, coastal erosion, mass killings, et cetera. We can relax and enjoy these disasters because in our hearts we feel that California deserves whatever it gets. Californians invented the concept of life-style. This alone warrants their doom.
It is very, very, very difficult for an American actor who wants a film career to be open about his sexuality. And even more difficult for a woman if she's lesbian. It`s very distressing to me that that should be the case. The film industry is very old fashioned in California.
We have become a force of nature Not long ago, hurricanes, tornadoes, floods, drought, forest fires, even earthquakes and volcanic explosions were accepted as “natural disasters or “acts of God.” But now, we have joined God, powerful enough to influence these events.
The great ecosystems are like complex tapestries - a million complicated threads, interwoven, make up the whole picture. Nature can cope with small rents in the fabric; it can even, after a time, cope with major disasters like floods, fires, and earthquakes. What nature cannot cope with is the steady undermining of its fabric by the activities of man.
From floods in Iowa and Nebraska to fires in California to hurricanes in Houston and Puerto Rico, we can no longer escape the fact that climate change is not happening in some far-off, distant future.
I sit for two or three hours and then in 15 minutes I can do a painting, but that's part of it. You have to get ready and decide to jump up and do it; you build yourself up psychologically, and so painting has no time for brush. Brush is boring, you give it and all of a sudden it's dry, you have to go. Before you cut the thought, you know?
Families will not be broken. Curse and expel them, send their children wandering, drown them in floods and fires, and old women will make songs of all these sorrows and sit on the porch and sing them on mild evenings.
I felt very at home in California, but the place is prone to earthquakes, and the one in 1994 scared the life out of me. For months afterwards, I felt that every time I sat down, I should have put on a seatbelt.
I still get stage fright every time. I also feel very, very sleepy about a minute before we go on. Like I feel like I'm going to fall asleep. I can't explain it. It's sort of like, "Where's the energy going to come from to play this show?" Then all of a sudden you step up and there it is, it's like it's waiting for you.
That's not going to happen, because I don't want it to happen. I don't want a movie about me until I'm very, very old - when I'm very, very old, everybody that wants to play me will be middle-aged.
I just figured, for the most part, mainstream networks stopped using [mistress word]. Those are small brush fires. The election made me realize we've got forest fires that we collectively need to be focused on.
In California, especially Northern California, the fans really cheer for me.
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