A Quote by Erma Bombeck

I have never understood, for example, how come a child can climb up on the roof, scale the TV antenna, and rescue the cat ... yet cannot walk down the hallway without grabbing both walls with his grubby hands for balance.
I wrote a great deal of a novel, 'Winter's Tale,' on the roof of a Brooklyn Heights tenement on Henry Street. I was a technical climber, and now and then I would put down my manuscript and get up to walk along parapets and climb walls and chimneys.
It's the ground that we walk on, it's where we sit, it's the language that we use. It's a difficult undertaking, but I think without healing that and creating more of a balance between the sexes, we will never have balance globally. I feel like I am going deeper and deeper into this space where I came from that I barely understood.
I can draw pencil lines to show something is moving, but if I'm writing, I struggle with how to write it. The boy ran down the hallway? The boy ran quickly down the hallway? The boy ran down the marble hallway? I agonize over the words. So my editor works very hard. I'm lucky to have her.
Morality in the novel is the trembling instability of the balance. When the novelist puts his thumb in the scale, to pull down the balance to his own predilection, that is immorality.
The same big TV antenna dwarfed each roof, as though life here could only be bearable if lived elsewhere in the imagination.
A fiddler on the roof. Sounds crazy, no? But here, in our little village of Anatevka, you might say every one of us is a fiddler on the roof trying to scratch out a pleasant, simple tune without breaking his neck. It isn't easy. You may ask 'Why do we stay up there if it's so dangerous?' Well, we stay because Anatevka is our home. And how do we keep our balance? That I can tell you in one word: tradition!
I'm trying to climb up both walls at once.
A climb-out fight is where you climb a building. You climb fire escapes. You climb to the top of the building. You fight on the roof, and you fight all the way down again.
Science, in all its greatness, is still subject to human creativity. It starts the first moment a child tries to reach up and grab at the clouds. Soon, the child learns that his own hands cannot reach the sky, but his hands are not the limit of his potential. For the human brain observes, considers, understands, and adapts. Locked within the mind is infinite possibility.
You don't climb mountains without a team, you don't climb mountains without being fit, you don't climb mountains without being prepared and you don't climb mountains without balancing the risks and rewards. And you never climb a mountain on accident - it has to be intentional.
The ambitious climb high and perilous stairs, and never care how to come down; the desire of rising hath swallowed up their fear of a fall.
The Assassin moved quietly from roof to roof until he was well away from the excitement around the Watch House. His movements could be called cat-like, except that he did not stop to spray urine up against things.
Such a thing as the child left alone to die in the hallway was unknown on the marsh. But here, in the dawn, was mortality itself. In the city were places to fall from which one could never emerge -- dark dreams and slow death, the death of children, suffering without grace or redemption, ultimate and eternal loss. The memory of the child stayed with him. But that was not to be the end of it, for reality went around in a twisting ring. Even the irredeemable would be redeemed, and there was a balance for everything. There had to be.
I've never really understood people who climb socially by sucking up. It seems like the least efficient way to climb, and also the most psychologically debilitating.
I cannot save the world, that's not what I'm trying to do. I guess I'm just trying to walk the walk and be an example to those that want it. Not everybody does, but if Mary J Blige can come out of that same hole you were in, then you can do it too - that's my goal: to do that without saying it, but actually live it.
I cannot save the world; that's not what I'm trying to do. I guess I'm just trying to walk the walk and be an example to those that want it. Not everybody does, but if Mary J. Blige can come out of that same hole you were in, then you can do it, too - that's my goal: to do that without saying it, but actually live it.
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