A Quote by Ernest Borgnine

This is the kind of upbringing we had instead of sitting in front of a damn television set all day long and never answering to anybody else unless somebody spoke up from a television set. It's an altogether different way of living today that you wonder how it really affects the family? I know how it affects the family because I have my own son who has his children and also my daughter. It's one of those things. Everybody eats in their own way and off they go. You know? It's not family oriented anymore."
I come personally from a broken family, divorced very early in my childhood, a family with its own share of troubles, so I think that was very influential in both me believing that someday I would consistently devote myself to my own family that I created, but I think it also really affects my view of the world.
One thing that is very different technically is that you don't get a lot of coverage in television. Not like you do on a film. I know we don't have time for separate set-ups, so I will design a scene where I'm hiding multiple cameras within that set-up. That way, if I don't have time to do five set-ups, I can do four cameras in one set-up. It's a different kind of approach for that. For the most part, a lot of television, in a visual sense, lacks time for the atmosphere and putting you in a place.
A film set becomes its own family anyway, and all family dynamics come out during a shoot. The trick is hiring people who know how to handle that.
I have to grow up and be my own man and look after my own family and make sure that my wife and baby are comfortable with what I'm saying, so if that affects them, then it affects me.
Playing on turf affects everything, you know, it affects the way the ball rolls, it affects the way the ball bounces, it affects the way you think about whether or not going into a slide. It's kind of a nightmare.
I've never had a very closely connected family. My parents split up when I was young and I was living with my mom for a little while, then I was kind of just on my own really young. It wasn't some kind of global tragedy, it was just never really a very close-knit family. So there was support in the sense that they didn't stand in my way.
I have a son who's been raised Jewish because his mom is Jewish. I have a whole different set of holidays to celebrate. Everybody is thrown together with their family in such an intense way, opening all of that stuff again. You're cooped up with everybody and forced to exist with them, and you're forced to try to relate to them in this way that's more open. I guess that just doesn't work for a lot of people.
The way I know my father is not through media. The way I know my father is in number of different ways. It's through the people who knew him well, his friends, my family. It's also through his own words, because he wrote voluminously.
To rein a kingdom efficiently it is necessary, before all, to put into good order the family. It's impossible for a man who doesn't know how to lead his own family to know how to lead a country.
I have never written a novel that volleys back and forth between a couple of different first person perspectives. It's definitely a challenge because I had to think about who knows what, when do they know it, when are they sharing what they know or what they think they know, how the reader's perspective affects things. Telling the story in that way is challenging. It does require a lot of revision.
A few years ago, I was trying to buy a piece of land next to a house I had in Newfoundland. I discovered that the plot had been owned by a family, and the son had gone off to World War I and been killed. It began to interest me: What would have happened on that land if the son had lived, had brought up his own family there?
Television isn't inherently good or bad. You go to a bookstore, there are how many thousands of books, but how many of those do you want? Five? Television's the same way. If you're going to show people stuff, television is the way to go. Words and pictures show things.
It's interesting: I went 25 years without watching a single television show. I was one of those people, because I was so inside how a television show was made, if I would turn on somebody else's show, I would sit there and analyze it, like, 'Oh, so they had four hours in this location and had to get out and the number of set-ups, etc.'
I've really dreamed of doing television. All of us do television, coming up. But when I was coming up, television was a black hole for actors. Now, television has a certain cache. Now everybody wants to be on TV because they're doing adult dramas. If you're an actor, it's like, "Well, get me on television," because it's the only place you can do it and also make a living at it. If my kids need shoes, I better do a TV show because I damn sure don't make any money with independent films.
The thing is when I started doing standup, you had to have a clean act because that's how you got on television. There weren't all these cable shows. Also, I didn't want to have that kind of act in case my family came to see me or my kid one day.
Sometimes I go home, put the game on, and think, 'How can I miss that?' It affects you; it also affects you to know your career also depends on the opinion of journalists, fans, directors, and sometimes they're not really qualified to judge.
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