A Quote by Ernest Cline

I've heard Stephen King say that when you write a novel you end up revealing everything about yourself. — © Ernest Cline
I've heard Stephen King say that when you write a novel you end up revealing everything about yourself.
When you write a novel, there’s a level at which you are much more revealing about who you are because you’re less self-conscious about how you’re presenting yourself. You are accidentally leaving your DNA all over everything in a novel because it’s all coming from you.
Stephen King says that if you forget an idea, then it can't have been any good. He means he, not you. You are not Stephen King. Do not attempt to emulate Stephen King at home.
Stephen King in many respects is a wonderful writer. He has made a contribution. People in the future will be able to pick up Stephen King's books and learn a lot about who we were by reading those books.
Your failure to enjoy a highly rated novel doesn't mean you're dim - you may find that Graham Greene is more to your taste, or Stephen Hawking or Iris Murdoch or Ian Rankin. Dickens, Stephen King, whoever.
Stephen King's 'It' is my favorite book of all time. I was that kid that would come to the library and be like: 'There's more Stephen King? Great.'
The DNA of the novel - which, if I begin to write nonfiction, I will write about this - is that: the title of the novel is the whole novel. The first line of the novel is the whole novel. The point of view is the whole novel. Every subplot is the whole novel. The verb tense is the whole novel.
I read Stephen King as a junior high schooler. My father introduced me to Stephen King far too young, which I'm very grateful for now.
Honestly, it's terrible, but I don't know if I've ever really read a Stephen King novel.
It's disingenous for me to say that I wasn't trying to write a moral novel. By its very nature as a novel about the Iraq War, Fobbit steps into the political conversation. There's no way to avoid that. I can appreciate that readers are probably going to line up on one side of the novel or the other. I hope they go to those polar extremes, actually.
Stephen King writes mass fiction but gets reviewed by the New York Times and writes for the New Yorker. Critics say to me, "Shut up and enjoy your money," and I think, OK, I'll shut up and enjoy my money, but why does Stephen King get to enjoy his money and get reviewed on the cover of the New York Times Sunday Book Review?
I actually love Stephen King's writing. I mean, we, actually, at Castle Rock, we've made seven movies out of Stephen King books.
The age of the book is not over. No way... But maybe the age of some books is over. People say to me sometimes 'Steve, are you ever going to write a straight novel, a serious novel' and by that they mean a novel about college professors who are having impotence problems or something like that. And I have to say those things just don't interest me. Why? I don't know. But it took me about twenty years to get over that question, and not be kind of ashamed about what I do, of the books I write.
The writer's job is not to write a novel, hold it up and say, “Here I am,” but to write a novel, hold it up and say, “Here YOU are.
Stephen King's 'Mr. Mercedes' is not a conventional horror novel. No ghosts, no vampires, no prune-faced escapees of the graveyard.
The first time I ever met Stephen King, he came up to me, and we went to shake hands, and he had, like, this fake rubber rat that he kind of, you know, shook at me. You know, and I said, 'No, this is a cliche - this can't be. Stephen King is trying to scare me with a fake rat?' It was just really weird.
I think it was in sixth grade, though, when I picked up my first Stephen King book, which was 'It,' that knocked me over and terrified me for years. Then I never went back. I had to own every Stephen King book and read them at least three times. They would terrify me completely, but I couldn't stop. That became my preferred source of fiction.
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