A Quote by Ernest Gaines

I suppose I started writing seriously at 16 years old. I thought I wrote a novel at 16 and sent it to New York! They sent it back because it wasn't novel. — © Ernest Gaines
I suppose I started writing seriously at 16 years old. I thought I wrote a novel at 16 and sent it to New York! They sent it back because it wasn't novel.
Back in my 20s, when I wrote 'A Place of Greater Safety,' the French Revolution novel, I thought, 'I'll always have to write historical novels because I can't do plots.' But in the six years of writing that novel, I actually learned to write, to invent things.
Back in my 20s, when I wrote 'A Place of Greater Safety,' the French Revolution novel, I thought, 'I'll always have to write historical novels because I can't do plots.'' But in the six years of writing that novel, I actually learned to write, to invent things.
I was writing everything. I grew up in Albany, New York, and I was never any farther west than Syracuse, and I wrote Westerns. I wrote tiny little slices of life, sent them off to The Sewanee Review, and they always sent them back. For the first 10 years I was published, I'd say, "I'm a writer disguised as a mystery writer." But then I look back, and well, maybe I'm a mystery writer. You tend to go where you're liked, so when the mysteries were being published, I did more of them.
I was an avid reader, but never thought seriously about writing a novel until I was in my thirties. I took no formal fiction-writing courses and never thought about these categories when I wrote my first novel.
I finished my first novel - it was around 300 pages long - when I was 16. Wrote one more before I got out of high school, then wrote the first Lincoln Perry novel when I was 19. It didn't sell, but I liked the character and I knew the world so I tried what was, in my mind, a sequel. Wrote that when I was 20, and that one made it.
The first seven years that I wrote fiction, I sent out stories and a novel and made a total of $25.
I started writing seriously when I was 18, wrote my first novel when I was 22, and I've never stopped writing since.
While working on my first five books, I kept wishing I was writing a novel. I thought until you wrote a novel, you weren't taken seriously as a writer. It used to trouble me a lot, but nothing troubles me now, and besides, there has been a change. I think short stories are taken more seriously now than they were.
I grew up in this poor place, with very limited circumstances, at about 16 years of age was sent by my family to work, and instead of remaining in the position into which I was sent, I somehow worked my way out of it without any help from anyone, just luck.
A novel means a new way of doing a story. If you go back the origins of a novel, 'Clarissa' - that's not a novel; it's just a bunch of letters. But it isn't! Because it's organised in a particular way! A novel is what you make of it.
I started doing repertory theatre in upstate New York when I was 15, went back when I was 16, and by that time decided that I really wanted to study drama seriously and go to an acting conservatory called Carnegie-Mellon University in Pittsburgh.
When I was 22 years old, I thought girls would like me if I wrote a novel. I spent so much time writing that I was thrown out of graduate school.
In '94, I started writing a novel about an enormous terrorist act that destroyed the United States. The novel takes place twenty years after this destruction, with all the stuff that we're dealing with now - a dirty war, the disappeared, the concept of terrorism. Anyway, 9/11 happened some years into the process, and I was like, OK, I don't have a novel.
The quality of the work when I was 16... I've had my issues with it, but I've learned to forgive myself because I was 16 years old.
I was 29 when I wrote my first novel. But I was 45 when I quit for good. I was a 16-year overnight success.
I had a writing professor at Brandeis who told me I'd never make it - and when I sold my first novel a few years later, I sent him a copy!
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