A Quote by Ernest Hemingway

To be successful in writing, use short sentences. — © Ernest Hemingway
To be successful in writing, use short sentences.
Use short sentences. Use short first paragraphs. Use vigorous English. Be positive, not negative.
I try to use short sentences, short paragraphs and short chapters to keep the reader's interest.
Writing simply means no dependent clauses, no dangling things, no flashbacks, and keeping the subject near the predicate. We throw in as many fresh words we can get away with. Simple, short sentences don't always work. You have to do tricks with pacing, alternate long sentences with short, to keep it vital and alive.... Virtually every page is a cliffhanger--you've got to force them to turn it."~
I write different kinds of sentences, depending on what the book is, and what the project is. I see my work evolving. I'm writing long sentences now, something I didn't use to do. I had some kind of breakthrough, five or six years ago, in Invisible, and in Sunset Park after that. I discovered a new way to write sentences. And I find it exhilarating.
Successful writers are not the ones who write the best sentences. They are the ones who keep writing.
Just as you can practice three-word sentences or sentences that travel across time zones, so can you practice writing sentences that breathe unshakable conviction.
The rythms of typing favour short, concise sentences, sentences with oral form.
I am not a great fan of serious, heavy writing. I prefer simple, short sentences, light on prose.
It's quite literally true that we are star dust, in the highest exalted way one can use that phrase. ...I bask in the majesty of the cosmos. I use words, compose sentences that sound like the sentences I hear out of people that had revelation of Jesus, who go on their pilgrimages to Mecca.
When I use the word 'buzz' in successive sentences, it's clearly time for me to stop writing.
When I was writing the first few books, what I would do is write a bunch of sentences and then go back and expand and explode those sentences, pack as much into them as I could, so they'd kind of be like popcorn kernels popping... all this stuff in there to make the writing dense, and beautiful for its density.
I think the best writers use the language they use every day when they talk to friends. When we talk to each other, we tend to talk in short grabs rather than in long flowing sentences. I think that's not a bad way to write.
You learn by writing short stories. Keep writing short stories. The money's in novels, but writing short stories keeps your writing lean and pointed.
What I'm really involved in when I'm writing is something that no one ever mentions when they see any play. Writing is like trying to make gunpowder out of chemicals. You have these words and sentences and the strange meanings and associations that are attached to the words and sentences, and you're somehow cooking these things all up so that they suddenly explode and have a powerful effect. That's what absorbs me from day to day in writing a play.
Don't you think that's the main reason people find [writing] so difficult? If they can write complete sentences and can use a dictionary, isn't that the only reason they find writing hard: they don't know or care about anything?
I don't like to use writing assignments, exercises. I think too often people get comfortable writing in that vein, but you can't go on to write a novel comprised of short writing exercises.
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