A Quote by Ernest Hemingway

One cat just leads to another. — © Ernest Hemingway
One cat just leads to another.
Oh cat, I'd say, or pray: be-ootiful cat! Delicious cat! Exquisite cat! Satiny cat! Cat like a soft owl, cat with paws like moths, jewelled cat, miraculous cat! Cat, cat, cat, cat.
One cat just leads to another." [Letter from Finca Vigia, Cuba, to his first wife, Elizabeth Hadley Richardson (1943).]
To me violence, once you've done one violent act it leads to another, it leads to another, it leads to another, it becomes routine.
One cat just leads to another. The place is so damned big it doesn't really seem as though there were many cats until you see them all moving like a mass migration at feeding time.
Another cat? Perhaps. For love there is also a season; its seeds must be resown. But a family cat is not replaceable like a wornout coat or a set of tires. Each new kitten becomes its own cat, and none is repeated. I am four cats old, measuring out my life in friends that have succeeded but not replaced one another.
The best model of a cat is another cat..., specially the same cat.
You may say a cat uses good grammar. Well, a cat does -- but you let a cat get excited once; you let a cat get to pulling fur with another cat on a shed, nights, and you'll hear grammar that will give you the lockjaw. Ignorant people think it's the noise which fighting cats make that is so aggravating, but it ain't so; it's the sickening grammar they use.
You have no control over your cat! You can't say to your cat, "Cat, heel! Stay! Wait! Lie down! Roll over!" 'Cause the cat's just gonna be sitting there going, "Interesting words ... have you finished?" While you're shouting all this to your cat, your dog's next to you, going ... [mimes obeying all commands] "What the hell are you doing? I'm talking to the cat!" "Oh, I'm sorry!"
If you were in a burning house and there was a cat and a Rembrandt, what would you save? The cat...you would save the cat, because the cat is alive. The art is dead. It's just paint on a canvas, ink on a page. To live for art is to deny life. It's just to destroy life.
The best material model of a cat is another, or preferably the same, cat.
A cat has absolute emotional honesty: human beings, for one reason or another, may hide their feelings, but a cat does not.
A reader's tastes are peculiar. Choosing books to read is like making your way down a remote and winding path. Your stops on that path are always idiosyncratic. One book leads to another and another the way one thought leads to another and another. My type of reader is the sort who burrows through the stacks in the bookstore or the library (or the Web site — stacks are stacks), yielding to impulse and instinct.
A cat is a purring parcel of paradox, a cunning collection of contradictions. A cat is lazy and busy, dainty and savage, affectionate and aloof, greedy and finicky, sound asleep in one instant, and awake and stalking in the next. A cat is a limp puddle of softness, surrounding a steel-hard and ever-alert set of muscles. ... A cat has the face of a pansy flower, and is just as velvety. A cat holds infinity in her eyes, and your heart in her front paws.
A Cat Stevens record isn't just Cat Stevens' ideas. It's Cat Stevens and all the musicians who play with Cat Stevens, right?
Quite obviously a cat trusts human beings; but she doesn't trust another cat because she knows better than we do.
Words are a strange thing. You once saw an animal and decided it's a 'cat.' But cat is a sound. This cat has nothing to do with the animal. But I have decided it's a cat. So a cat it is.
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